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Roy Eldridge

Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop. Roy's rhythmic power to swing a band was a dynamic tradmark of the Swing Era. Eldridge was born in Pittsburgh, Pennsylvania. His nickname was Little Jazz. Eldridge played in the bands of Fletcher Henderson, Gene Krupa and Artie Shaw before making records under his own name. He also played in Benny Goodman's and Count Basie's Orchestras, and co-led a band with Coleman Hawkins. Also known as “Little Jazz” Roy Eldridge was a fiery, energetic trumpeter who although short in stature was a larger-than-life figure in the jazz trumpet lineage. Stylistically speaking he was the bridge between the towering trumpet stylists Louis Armstrong and Dizzy Gillespie

ARTICLE: HIGHLY OPINIONATED

Ornette Coleman: An Outsider Cracks the Egg

Read "Ornette Coleman: An Outsider Cracks the Egg" reviewed by Steve Provizer

Part 1 | Part 2 There are two ways a musician can make a significant impact on jazz. One is to mobilize virtuosity and knowledge to push the current boundaries of the music. There are a number who fall in this category, but unassailable examples are Louis Armstrong, Art Tatum and Charlie Parker. The ...

ARTICLE: INTERVIEW

Marvin Stamm: Team Player

Read "Marvin Stamm: Team Player" reviewed by R.J. DeLuke

Trumpeter Marvin Stamm is known for being part of a gazillion albums, having that ability to go into a studio and play exactly what's required, whether it's for a records by pop singers, jazz artists, Paul McCartney, Donny Hathaway or touring with Frank Sinatra. It's a reputation the highly skilled player earned with hard work.

ARTICLE: INTERVIEW

John Swana: Philly Gumbo

Read "John Swana: Philly Gumbo" reviewed by Victor L. Schermer

From the 1995-2003 archive: This article first appeared at All About Jazz in June 2000. In addition to being one of the finest contemporary jazz trumpet players, John Swana is a human being who is spontaneously authentic and refuses to play a false role. Having reached the ripe old age of 38, John has ...

ARTICLE: RADIO

Mothers Day with Birthday Celebrations for Mary Lou Williams and Carla Bley

Read "Mothers Day with Birthday Celebrations for Mary Lou Williams and Carla Bley" reviewed by Mary Foster Conklin

The Mothers Day broadcast included new releases from the Posi-Tone Swingtet, bassist Anne Mette Iversen, vocalists Joan Watson-Jones, Rachelle Garniez, and Diane Schuur plus the Charles Pillow Ensemble, with birthday shout-outs to Carla Bley and Mary Lou Williams as well as a nod to a few Jazz Mothers and their children. Thanks for your continued support ...

ARTICLE: RADIO

Saxattack & More

Read "Saxattack & More" reviewed by Marc Cohn

Well, not every track is saxed, but we've got some heavyweights here: Johnny Griffin, Rahsaan Roland Kirk, Sonny Rollins, Branford Marsalis, Charlie Parker, Benny Carter, and Sidney Bechet. Breathers from pianists Brad Mehldau, Kris Davis and Bill Evans; as well as the Uptown Jazz Orchestra from New Orleans; trumpeters Roy Eldridge, Fats Navarro, Miles Davis; and ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Roy Eldridge

Jazz Musician of the Day: Roy Eldridge

All About Jazz is celebrating Roy Eldridge's birthday today! Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop. Roy's rhythmic power to swing a ...

ARTICLE: ALBUM REVIEW

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann

The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

ARTICLE: RADIO

[email protected], Newk with Monk & More

Read "BU@100, Newk with Monk & More" reviewed by Marc Cohn

Art Blakey turns 100 in October. He's too important to have to wait till then. So, we've got 3 more tracks from Bu as well as a 'pre-Bu' segment of tunes associated with or inspired by the great drummer. Our chronological Sonny Rollins celebration continues with a 4tet session with Monk @ the 88s. Along the ...

ARTICLE: LIVE REVIEW

Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City

Read "Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City" reviewed by Mackenzie Horne

For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...


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