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141

Article: Album Review

Trio Nueva Finlandia: Ha! - What's Going On?

Read "Ha! - What's Going On?" reviewed by Robert Spencer


The members of the Trio Nueva Finlandia call their music “unique music" rather than “improvised music," for they note that “the word 'improvised' in general use has a taste of being something easy and cheap compared to composing." This is fine, for there's nothing easy or cheap about the music on Ha! - What's Going On?, ...

98

Article: Album Review

Ramon Lopez: Eleven Drums Songs

Read "Eleven Drums Songs" reviewed by Robert Spencer


Since Anthony Braxton recorded his groundbreaking For Alto in the late Sixties, all the instruments of the standard jazz ensemble have been the focus of solo albums. Peter Kowald has even recorded an acclaimed album of solo bass, and it is not alone as a solo bass recording. But rarest of all are all-percussion albums. The ...

122

Article: Album Review

John Allred: Focused

Read "Focused" reviewed by Robert Spencer


The back of this disc carries a quote from Don Sebesky: “John Allred is a MONSTER! Very scary. I haven't been so impressed with a trombone player since Carl Fontana. John plays the way I always wanted to, but didn't have the chops. He can be in my band anytime." Sebesky is right. Allred has the ...

127

Article: Album Review

Les McCann: How's Your Mother?

Read "How's Your Mother?" reviewed by Robert Spencer


“How's Your Mother?" is a live date from 1967 that has lain in the can from then to now---not because there is anything lacking about it (quite the contrary!) but as a testament to the cornucopia of great music that was lying around everywhere in 1967, so that Trane's Interstellar Space (and around a hundred others) ...

180

Article: Album Review

Jon Mayer Trio: Do It Like This

Read "Do It Like This" reviewed by Robert Spencer


From the first note of this fine CD it's clear that as a pianist Jon Mayer's technique and sensibilities were forged within the great tradition of his acknowledged influences - chiefly, Wynton Kelly, Red Garland, and Kenny Barron. At the same time Mayer cannot be pigeonholed easily. He can show the drive of Kelly and the ...

282

Article: Album Review

Rahsaan Roland Kirk: A Standing Eight

Read "A Standing Eight" reviewed by Robert Spencer


These two CD's include the last three albums recorded by this most extraordinary of extraordinary musicians: The Return of the 5000 lb. Man, Kirkatron, and Boogie-Woogie String Along for Real. They're particularly poignant because of the circumstances in which they appeared: 5000 lb. Man landed in the can only a short time before Kirk's debilitating stroke; ...

122

Article: Album Review

Michael Jefry Stevens & Mark Whitecage: Short Stories

Read "Short Stories" reviewed by Robert Spencer


Many of the tracks on Short Stories start in a tone of regretful tenderness befitting the title of the first track, “Bittersweet." But there is a piquancy to the playing of both members of this duo, pianist Michael Jefry Stevens and multi-talented reedman (alto & soprano sax, plus alto clarinet) Mark Whitecage, that makes this more ...

150

Article: Album Review

Various Artists: Jazz a Saint Germain

Read "Jazz a Saint Germain" reviewed by Robert Spencer


Jazz A Saint-Germain is designed to evoke the Bohemian atmosphere of Paris during the German occupation. A series of vocalists (including Angelique Kidjo, Dee Dee Bridgewater, Dee Dee's daughter China, Deborah Harry, and many more) turn in a series of highly original takes on standard English and French fare; most achieve a smoky, highly-charged feel, but ...

149

Article: Album Review

Marc Antoine: Madrid

Read "Madrid" reviewed by Robert Spencer


Marc Antoine is a gypsy guitarist, and this disc is evidence of his travels. “Sunland" sounds like a funky instrumental version of that old song, “If I Were a Carpenter, and You Were a Lady." Much more funk-based is the title track, “Madrid." “Dreamsicle" builds on a dreamy shimmer of synthesizer and Harmon-muted trumpet (courtesy of ...

157

Article: Album Review

The Joel Futterman / "Kidd" Jordan Trio with Alvin Fielder: Southern Extreme

Read "Southern Extreme" reviewed by Robert Spencer


Drimala is a new label whose recordings can only be obtained at http:www.drimala.com. Futterman, who plays mainly piano, has recorded with the genre-bending Hal Russell; Kidd Jordan played contrabass clarinet for Hamiet Bluiett, but sticks to tenor sax here. Alvin Fielder is a sensitive and daring percussionist a la Sunny Murray. After a minute-long recitation of ...


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