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Robert Fripp: Exposure
by John Kelman
When King Crimson co-founder/guitarist Robert Fripp disbanded the group in 1974, it seemed as though he'd grown tired of being its de facto leader. But he remained active, performing with artists as diverse as Brian Eno, David Bowie, Peter Gabriel, Hall & Oates and Blondie. While listeners who'd lost touch with him after King Crimson were ...
The 21st Century Guide to King Crimson Volume Two: 1981-2003
By King Crimson
Label: DGM Live
Released: 2005
Track listing: CD1: (In the Studio: 1981-1984): Elephant Talk; Frame by Frame; Matte Kudesai; Thela Hun Ginjeet; The Sheltering Sky; Discipline; Heartbeat; Waiting Man; Neurotica; Requiem; Three of a Perfect Pair; Sleepless. Bonus tracks 1982-2004: The King Crimson Barbershop; Form No. 1; Bude; Potato Pie; Clouds; Einstein's Relatives.
CD2: (Live: 1982-1984): Entry of the Crims; Larks' Tongues in Aspic Part III (edit); Thela Hun Ginjeet; Matte Kudesai; The Sheltering Sky; Neal and Jack and Me; Indiscipline; Sartori in Tangier; Frame by Frame; Man With an Open Heart; Waiting Man; Sleepless; Three of a Perfect Pair; Discipline; Elephant Talk.
CD3: (In the Studio 1995-2003): VROOOM; Coda: Marine 475; Dinosaur; Walking on Air; B'Boom; THRAK; Fearless and Highly THRaKked; Sex Sleep Eat Drink Dream; Radio II; The Power to Believe I; Level Five; Eyes Wide Open; EleKtrik; Facts of Life: Intro; Facts of Life; The Power to Believe II; Happy With What You Have to Be Happy With; The Power to Believe III; The Power to Believe IV.
CD4: (Live: 1994-2003): VROOOM VROOOM; Neurotica; Prism (abridged); One Time; Larks Tongues in Aspic: Part IV; ProzaKc Blues; The ConstruKction of Light; FraKctured; The World's My Oyster Soup Kitchen Floor Wax Museum; Sus-tayn-Z (ProjeKct Two); X-chanyn-jiZ (ProjeKct Two); The Deception of the Thrush; 2 ii 3 (ProjeKct One).
Love Cannot Bear: Soundscapes - Live in the USA
By Robert Fripp
Label: DGM Live
Released: 2005
Track listing: Acceptance - Affirming; Affirmation: IMAC; On My Mother's Birthday; Affirmation: New York; Midnight Blue; Easter Sunday; Love Cannot Bear; Requiem - Affirming.
Robert Fripp: Love Cannot Bear: Soundscapes - Live in the USA
by John Kelman
If one indication of a musician's mettle is creating a distinctive voice, than King Crimson co-founder/erstwhile leader Robert Fripp has done enough to distinguish a multitude of artists. With each successive incarnation of Crimson (documented on The 21st Century Guide to King Crimson Volume One: 1969-1974 and Volume Two: 1981- 2003), he's not only created a ...
The Equatorial Stars
By Robert Fripp
Label: DGM Live
Released: 2004
Track listing: Meissa; Lyra; Tarazed; Lupus; Ankaa; Altair; Terebellum
The 21st Century Guide to King Crimson: Volume One 1969-1974
By King Crimson
Label: DGM Live
Released: 2004
Track listing: CD1 (In the Studio: 1969-1971): 21st Century Schixoid Man; I Talk to the Wind;
Epitaph; Moonchild; The Court of the Crimson King; Peace: A Theme; Cat Food; Groon; Cadence
and Cascade; In the Wake of Poseidon (instrumental edit); Ladies of the Road; Sailor's Tale
(abridged); Islands (instrumental edit); Tuning Up; Bolero.
CD2 ( Live: 1969-1972): The Court of the Crimson King; A Man, A City;
21st Century Schizoid Man; Get Thy Bearings; Mars; Pictures of a City; The Letters; A Sailor's
Tale; Groon; 21st Century Schizoid Man (instrumental edit).
CD3 ( In the Studio: 1972-1974): Larks' Tongues in Aspic Part I
(abridged); Book of Saturday; Easy Money; Larks' Tongues in Aspic Part II; The Night Watch; The
Great Deceiver; Fracture; Starless (abridged); Red; Fallen Angel; One More Red Nightmare.
CD4 (Live: 1973-1974): Asbury Park; The Talking Drum; Larks' Tongues
in Aspic Part II; Lament; We'll Let You Know; Improv: Augsburg; Exiles (abridged); Easy Money;
Providence; Starless and Bible Black; 21st Century Schizoid Man; Trio.
Fripp & Eno: The Equatorial Stars
by John Kelman
While the technology was, in retrospect, remarkably simple, guitarist Robert Fripp, best known for his work with the perennial King Crimson, and synthesist/producer Brian Eno literally invented a new musical form when they hooked up two Revox reel-to-reel tape recorders in '73, allowing Fripp to layer an almost infinite number of loops to create a groundbreaking ...
