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Results for "Richard J Salvucci"
Susan Krebs: Daybreak
by Richard J Salvucci
Sometimes, simpler is better. Familiar chord progressions are like old friends. We think they have aged well, and however different the melody (or their appearance), they are relatable. We connect to and with them. After a spell of “dare to be different" time signatures that can be fun, or challenging, hearing someone who can play or ...
Steve Million featuring Sarah Marie Young: Jazz Words
by Richard J Salvucci
Evocative. Soulful. Regretful. Plaintive. But in no sense downbeat. Oddly edifying, joyful in places. Steve Million's compositions and Sarah Marie Young's voice were plainly intended to blend. And they do so in an emotionally stirring landscape of the heart which is powerfully affecting. You find yourself conjuring up quiet journeys, emotional and otherwise, from the past. ...
Bob Mintzer: Soundscapes
by Richard J Salvucci
Well, what is your pleasure? Swinging charts? You have them. A tight big band? Yes, that certainly, and more. Terrific soloists? In abundance. A blend of genres that go from straight ahead to Latin to funk? That is all here too. The only thing absent, and all respect to Bob Mintzer, is excitement. To be honest, ...
Rodney Jordan: Conversations
by Richard J Salvucci
Yes, Hildegard von Bingen is a thing, and for many musicians, especially singers, a serious icon. Yes, you can tune a bass to A=432hz. Until the mid-nineteenth century, standard tuning on a bass was 430-435. Verdi apparently loved 432 because he said it resonated within the golden ratio, or a professional bassist informs “something like that." ...
Adam Nolan: Prim and Primal
by Richard J Salvucci
Tell you what. A lot of listeners have never been particularly big fans of free jazz. “It is difficult to understand." Really? “Formalism," said Sergei Prokofiev, “is the name given to music not understood on first hearing." This, recall, was a statement made in defense of Dmitri Shostakovich and his Fourth Symphony. This is not to ...
Ray Obiedo: Latin Jazz Project Vol. 2
by Richard J Salvucci
Sometimes it is difficult to banish the words of Ecclesiastes from your mind when listening to a recording: “There is no new thing under the Sun." While that may be true of music in particular--one builds on the past, just as in other fields--it is no good reason for not listening or for simple indifference. Gerald ...
Kerry Moffit: What Goes Around Comes Around
by Richard J Salvucci
Kerry Moffit's reputation in trumpet circles preceded him long before this recording. Like so many “you ought to hear this guy" types, one discounts friendships, hangs, boosters, and all the rest. Moffit, however, is “as advertised." There are quite a few people with underground reputations. Moffit's should be above ground. Listening to him, you might think, ...
Gerry Eastman Trio: Trust Me
by Richard J Salvucci
Right out of the gate, this is a great recording. Gerry Eastman is the moving force as guitarist, producer, arranger, and photographer. If you dig soul jazz and B3 organ trios, it is a safe bet that you will enjoy this session from start to finish. So many great sounds are conjured up: you hear Wes ...
Rebecca DuMaine: Someday, Something
by Richard J Salvucci
It is odd that Rebecca DuMaine should have chosen “Alone Again (Naturally)" to decorate a pandemic-influenced recording. Quite a few musicians have, almost perforce, referred to the circumstances of the Covid months, but this song can be oddly compelling for someone who remembers the contrasting emotional environment in which it was recorded in 1972. It was ...
Gaetano Letizia: Chartreuse
by Richard J Salvucci
True story. There is a very picky, conservatory-trained bassist in the immediate vicinity, visiting from over the pond. She has extremely broad taste in music, but unyielding on fundamentals. Despite a childhood exposure to jazz of all kinds, she literally winces when a lot of big names, living and deceased, pour forth from the speakers. “Chartreuse" ...
