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Matt Gordy: Be With Me
by Richard J Salvucci
There is an expression of high regard for playing, “in the tradition," which basically means, yeah, that is jazz, music of the highest order. Matt Gordy's “Be With Me" is particularly arresting because it is in the tradition, but neither a recreation nor an exercise in nostalgia. Everyone from Charlie Christian to Modern Jazz ...
Eric Goletz: A New Light
by Richard J Salvucci
Eric Goletz is a virtuoso trombonist who also writes and arranges. On first hearing, his core band may put some in mind of Chase, Bill Chase's high-flying group that featured both vocals and technically demanding trumpet. Goletz has something similar going on. The music opens with “Prelude: Before the Light" and “A New Light," with a ...
Coltrane's Progeny: Giant Steps for Late Beginners
by Richard J Salvucci
For many listeners, the name John Coltrane is synonymous with the tune “Giant Steps." Whether or not you happen to agree with the proposition that this was the “greatest" or most important composition Coltrane ever recorded--for some, it would be “My Favorite Things," and for still others, “A Love Supreme." This is not an attempt, largely ...
LA Cowboy: The Big Pitch
by Richard J Salvucci
There is, one supposes, a niche for most everything, although some tastes are surely acquired. Admittedly, a kind of epistolary recording that seems to combine “To Live and Die in LA" with Lady Millea's I Don't Mind Missing You (Reconcile, 2021) is a bit difficult to characterize. Some writers have called this a sort of retro ...
Mauricio J. Rodriguez Project: Luz
by Richard J Salvucci
There was once a poll category called Talent Deserving of Wider Recognition. It still exists and if Mauricio J. Rodriguez is not there, he probably should be. His peripatetic background includes Cuba, his home, as well as Venezuela and, now, Miami. He is a bassist (Six String E-Bass, Double Bass and Fretless E Bass), ...
Steve Million: What I Meant to Say
by Richard J Salvucci
Steve Million, thoughtful, well established, and prolific, has recorded another elegant outing to complement his Jazz Words (Origin, 2021). No vocalist this time, but some old friends from his Kansas City days who combine to produce a wonderfully reflective entry. Million's compositions--and they are all his--are stylish and distinctive. “Open the Book" ...
Manny Kellough: Speaking of Jazz (East to West Coast)
by Richard J Salvucci
If you are looking for some small group jazz that is relaxed but swinging, Manny Kellough, Billy Preston's drummer, has put together a nice package of standards and originals for your listening enjoyment. While the ensemble work is, to put it plainly, not tight, the instrumental solos are good and, at times, outstanding. Alto saxophonist Antonio ...
Nicole Henry: Time To Love Again
by Richard J Salvucci
Nicole Henry has been making a lot of noise, nicely, with her latest album. It is easy to see why. While critics compare her to everyone from Natalie Cole to Whitney Houston, she really does sound like herself. She swings elegantly and does not oversing. Her intonation, diction and phrasing are impeccable. ...
Alexis Parsons: Alexis
by Richard J Salvucci
Alexis Parsons is an honest-to-goodness jazz singer. She has considerable vocal chops, a wide range and great time. She usually comes in right on or slightly behind the beat. Except when she does not. Which makes for considerable contrast and interest. Her sense of drama is apropos ("Organ Grinder" may be the sole exception, but de ...
Paul Jost: While We Were Gone
by Richard J Salvucci
According to Francis Bacon, some books are to be tasted and others to be swallowed whole. Likewise with recordings. Some are to be sampled. Others are to be thoroughly assimilated. Where the listener lands with Paul Jost will depend on a host of things. Are you political? If so, are you progressive? Then by ...
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