Home » Search Center » Results: Rich Brown
Results for "Rich Brown"
In Orbit: in Orbit
by Anya Wassenberg
In Orbit--the group, the song and the album--have a groovy 70s retro kind of feel, crashing chords, melody and dissonance, all to a disco beat. High on energy, with an emphasis on danceable grooves, In Orbit is a cross-border group with a core of Canadian guitarist Michael Occhipinti and American saxophonist Jeff Coffin, who ...
Jay Danley: Ethio Jazz Volume One
by Anya Wassenberg
Complex rhythms and relentless grooves are what set music from the so-called golden era of Ethiopian jazz apart, and it's that essential and even hypnotic energy that guitarist and composer Jay Danley captures in Ethio Jazz Volume One. Arguably the most important--certainly the most recognizable--element of classic Ethiopian jazz is its bass-heavy groove patterns. ...
Jay Danley: Ethio Jazz Volume One
by Geno Thackara
The roots of Ethio-jazz may date back to the '50s, but Jay Danley and crew show that it's too fresh and funky to be chained to any era--the grooves are slick, the bass catchy, the brisk rhythms expertly woven like the strands of a rope, and the cast is clearly having a good time. The Canadian ...
Abeng
By Rich Brown
Label: Self Produced
Released: 2016
Track listing: Mahishmatish; Window Seat; Chant of the Exiled (Abeng); Promessa; This Lotus
Ascension; The Etymology of Ouch; Parity of Esteem (An Illustration of
Imbalance); Achilles & the Tortoise.
Shirantha Beddage: Momentum
by Dave Wayne
The fact that Momentum is only Shirantha Beddage's third album as a leader since 2007 suggests that he's either putting a lot of thought into his music, or that he has a lot of other stuff going on. One thing he has going on is composing music for the FX television series Fargo. Still, it's kind ...
Rich Brown: Abeng
by Dave Wayne
In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...
Rudresh Mahanthappa: Integrity
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I had only met Rudresh Mahanthappa once briefly; we played with different bands at a gig at the Library of Congress in Washington, D.C. I was subbing with Miguel Zenon [while] he was performing with Vijay Iyer's quartet. I always found ...
NYC Winter Jazzfest, Day 1: January 6, 2012
by Daniel Lehner
Day 1 | Day 22012 NYC Winter Jazzfest, Day 1New York, NYJanuary 6, 2012 No one could argue that jazz didn't have a tumultuous 2011. For the better, bassist/vocalist Esperanza Spalding's Grammy for Best New Artist marked the first time a jazz musician was awarded that honor, and veteran tenor ...
Vijay Iyer Trio y Rudresh Mahanthappa Samdhi en el 43 Voll-Damm Festival Internacional de Jazz de Barcelona
by Joan Fargas
Vijay Iyer Trio43 Voll-Damm Festival Internacional de Jazz de BarcelonaLuz de Gas24 de octubre de 2011 Tres años después de la primera gira europea de esta formación, que también pasó por el festival de Barcelona, el trío de Vijay Iyer ofreció en Luz de Gas una brillante actuación que fue seguida ...
Rudresh Mahanthappa: Samdhi
by Mark F. Turner
About halfway through the aptly named “Killer," it becomes apparent that saxophonist Rudresh Mahanthappa's Samdhi is up to something just a little different. Amid the track's impossible changes and blistering tempo, the saxophonist's alto undergoes acoustic-electric alterations that are processed through a laptop. Not that it was ever needed, but this embracing of technology, and other ...
