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Red Garland (Jazzland / OJC OJCCD-1064-2: Red's Good Groove
by C. Michael Bailey
When Red is Blue. And Red is always blue when he records. Death, Taxes, and Red Garland playing the blues— One can count on all of these things. Red's Good Groove was recorded in early 1962 by the Miles Davis nucleus of Garland and drummer Philly Joe Jones. Sam Jones replaces the ubiquitous Paul Chambers ...
It's a Blue World
By Red Garland
Label: Prestige Records
Released: 2000
Track listing: This Can
Art Pepper
by Robert Spencer
It's all in his remarkable autobiography, Straight Life. Art Pepper was a junkie. First and foremost. He spent long stretches in prison, had innumerable wild adventures, and used drugs to the end of his life. He spent years devoted entirely to scoring the next dose. But in and through it all, he somehow managed to become ...
Red Garland Trio: It's a Blue World
by Derek Taylor
One of the hardest working trios of the 50s the Garland/Chambers/Taylor unit recorded more than a dozen sessions for the Prestige label and its subsidiaries during a four year stretch at the close of the decade. In slightly different form with “Philly” Joe Jones replacing Taylor they were also the formidable rhythm section for Miles Davis’ ...
The Prestige Records Story
By Gene Ammons
Label: Prestige Records
Released: 1999
Track listing: Disc One
Lee Konitz/Lennie Tristano: Subconscious-Lee; Stan Getz, Zoot Sims, Al Cohn, Allen Eager, Brew Moore: Four and One Moore; Wardell Gray: Twisted ; Sonny Stitt: All God's Chillun Got Rhythm; Gene Ammons: Blues Up and Down (take 3); James Moody: I'm in the Mood for Love (aka Moody's Mood for Love); King Pleasure: Moody's Mood for Love (aka I'm in the Mood for Love); Annie Ross; Twisted; Miles Davis: Dig; Jimmy Raney and Stan Getz: 'Round Midnight; Miles Davis: The Serpent's Tooth (take 1); Thelonious Monk: Blue Monk; Miles Davis: Bags' Groove (take 2); Milt Jackson: My Funny Valentine; Miles Davis: Doxy; The Modern Jazz Quartet: Django.
Disc Two
James Moody: Disappointed; Miles Davis Sextet: Walkin'; Sonny Rollins: St. Thomas; Sonny Rollins: Pent-Up House; Miles Davis Quintet: Well, You Needn't; Tadd Dameron: On a Misty Night; Red Garland: If I Were a Bell; Gil Evans: Nobody's Heart; John Coltrane: Russian Lullaby; Eddie "Lockjaw" Davis: In the Kitchen.
Disc Three
Gene Ammons: Canadian Sunset; Coleman Hawkins: Trouble Is a Man; Eddie "Lockjaw" Davis, Coleman Hawkins, Arnett Cobb, Buddy Tate: Very Saxy; Mose Allison: The Seventh Son; Eric Dolphy: G.W.; Roland Kirk: Kirk's Work; Oliver Nelson, King Curtis, Jimmy Forrest: Soul Street; Etta Jones: Don't Go to Strangers; Shirley Scott: Hip Soul; Willis Jackson: This'll Get to Ya; Jack McDuff: Rock Candy; Willis Jackson: Troubled Times.
Disc Four
Gene Ammons: Ca'Purange (Jungle Soul); George Benson: Sweet Alice Blues; Richard "Groove" Holmes: Misty; Illinois Jacquet: I Wish I Knew How It Would Feel to Be Free; Sonny Criss: Smile; Dexter Gordon: Fried Bananas; Houston Person: Jamilah; Gene Ammons: Jungle Strut; Charles Earland: More Today Than Yesterday; Rusty Bryant: Soul Liberation; Boogaloo Joe Jones: No Way; Gene Ammons: You Talk That Talk.
Red Garland: The Nearness of You
by AAJ Staff
From time to time Red Garland would do something new in his long series of albums, injecting some variety into his classic formula. Sometimes it was an added musician, or there’d be a “theme” album like WHEN THERE ARE GREY SKIES, full of old tunes like “St. James Infirmary”. This is one of the latter – ...
Red Garland: I Left My Heart...
by AAJ Staff
When Red Garland moved to Dallas in the mid-Sixties, he kept to himself for over a decade; in 1975 he stopped playing entirely. “The record royalties were coming in, so I watched television and played with my grandchildren for 18 months.” His return to jazz came slowly: first at the Recovery Room in Dallas, then he ...
