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Alex Levin: New York Portraits
by Edward Blanco
New York-based pianist Alex Levin borrows standards from the jazz-rich era of the 1940s,' 50s and '60s, and includes a couple of originals for New York Portraits, his third album as leader. Along with bassist Michael Bates, (leader of the Outside Sources ensemble) and drummer Brian Floody, the trio lays down a relaxed shuffle of rhythm-based ...
Hubert Nuss: The Book of Colours
by Dan McClenaghan
Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...
Joe Alterman: Piano Tracks, Volume 1
by Dan McClenaghan
The late Miles Davis had a hand in pushing the standard-playing piano trio out of fashion. The iconic trumpeter's Bitches Brew (Columbia Records, 1970) moved jazz in new and bold directions, and it didn't take long for the piano/bass/drums format to slip into the quaint and old fashioned--and very un-hip--category.Then along came Keith Jarrett--a ...
Alex Levin Trio: New York Portraits
by C. Michael Bailey
Artists do not evolve in a vacuum. Collectively, they assimilate all they have learned and heard into a new creative paradigm that they call their own. A durable respect for the past characterizes the trio art of pianist Alex Levin. Listening to his collection New York Portraits, the spirits of pianists long gone are present in ...
Chucho Valdes & The Afro-Cuban Messengers: Chucho's Steps
by Chris May
The semiology contained on pianist Chucho Valdés' magnificent Chucho's Steps points to the character of the music before the disc has even been taken out of its sleeve. First there's the name of the group and its reference to drummer Art Blakey's ferociously swinging Jazz Messengers. Then there's the title of the opener, “Las dos caras" ...
Chucho Valdes & The Afro-Cuban Messengers: Chucho's Steps
by Chris May
La semiología contenida en el magnífico Chucho's Steps de Chucho Valdés define el carácter de la música antes de haber reproducido el disco. En primer lugar, la referencia al batería Art Blakey y al swing apasionado y feroz de los Jazz Messengers. Luego, el título de la pieza inicial, Las dos caras, que apunta a las ...
Adrian Iaies Trio: A Child's Smile
by Raul d'Gama Rose
On A Child's Smile, Adrian Iaies sheds the Argentinean persona that occasionally shrouds his music. Here the pianist has become a complete, swaggering, swinging entity, and one who melds his mentors--Hank Jones, Tommy Flanagan, Wynton Kelly, Red Garland and principally Bill Evans--into an entirely new entity. The result is a brooding artist who looks deep within ...
Red Garland: The 1956 Trio
by Eric J. Iannelli
By the time pianist Red Garland recorded the amalgam of tracks on this essential disc, he'd been playing with the Miles Davis Quintet for about a year. Although he had performed alongside big names before, including Charlie Parker and Lester Young), The Quintet (as it would come to be known) was truly an all-star lineup: Garland, ...
Jessica Williams: Musical Truths
by Dan McClenaghan
Pianist Jessica Williams begins a free-wheeling and fascinating conversation with a fan by thanking him for the kind words he has spoken about her music. Then she adds: “But you don't always have to say kind words, you know, as long as you always say the truth." It's advice that is very much in ...
Take Five With Milton Suggs
by AAJ Staff
Meet Milton Suggs:The remarks of those who hear him for the first time often go something like this: “I didn't know he could talk, let alone sing!" or “That voice does not belong to that body!" That's because Milton prefers to let his talent speak for itself. Music has been ...
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