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Harrison Bankhead Sextet: Morning Sun, Harvest Moon
by Raul d'Gama Rose
Harrison Bankhead's uniqueness is not restricted solely to his bass playing, which is touched by the melodicism of Ray Brown and the authority and inventiveness of Charles Mingus in a voice singularly his own. Bankhead is a composer with a sensibility finely attuned to a painterly impressionism, while being unafraid to fly in the face of ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
"Jazz At The Hollywood Bowl - Expanded Edition" On Hip-O Select / Verve
Jazz At The Hollywood Bowl was the first recorded jazz concert at the prestigious Los Angeles outdoor venue. It was a prime example of jazz elevated to the concert stage, a concept developed by Norman Granz, record producer, label owner, artist manager and the foremost jazz promoter in the world. It was recorded August 15, 1956, ...
Robert Hurst: Unrehurst Volumes 1 and 2
by C. Michael Bailey
The jazz piano trio--piano, bass, and drums, also known as the “rhythm section"--is a fundamental unit in jazz ensembles. It is the motor that drives all combos greater than itself. Which instrument a trio “leader" plays often has a profound effect on the personality and temperament of the music produced. Bass-led trios often bring the bass ...
Toots Thielemans Honored at San Sebastian Jazz Festival
Since 1994, the San Sebastian Jazz Festival (now Heineken Jazzaldia) has honored an outstanding musician or impresario for his or her contribution to jazz. This year, Toots Thielemans joins previous award winners: Doc Cheatham (1994), Phil Woods (1995), Hank Jones (1996), Steve Lacy (1997), Chick Corea (1998), Max Roach and Clark Terry (1999), Kenny Barron (2000), ...
Kyle Eastwood: Movies, Motown & Monterey
by Bruce Lindsay
Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...
Benny Green: Source
by C. Michael Bailey
Pianist Benny Green has not been in the studio leading a recording date since his collaboration with Russell Malone, Bluebird (Telarc, 2004). Far from stagnating, Green has most recently been found providing support on recordings like Hilary Kole's You Are There (Justin Time, 2010), Kenny Burrell's Be Yourself (HighNote , 2010) and Anat Cohen's Clarinetworks: Live ...
Matt Penman: Down on James Farm
by R.J. DeLuke
Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...
Hendrik Meurkens: Harmonica Virtuoso
by Victor Verney
Although at first Hendrik Meurkens' primary instrument was the vibraphone, he has garnered an international reputation as a jazz harmonica player since picking up that difficult-to-master instrument. Born in Germany, Meurkens came to the U.S. to study at Boston's Berklee School of Music. After returning to Europe for a time, he decided to go live in ...
Jim Hart: The Art of Juggling
by Alan Bryson
Jim Hart is one of the hottest young musicians on the U.K. jazz scene. His impressive skills are matched by a level of experience and maturity that belie his age. His musicianship elicited this praise from vibes heavyweight Joe Locke: “Some of the best music I've heard in a long time. Definitely the best vibes playing ...
