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Melanie Dahan: La Princesse et les Croque-Notes
by Raul d'Gama Rose
There is a certain something about La Princesse et les Croque-Notes, and it is the same je ne sais quoi that exists in the first blush of wine and in the beguiling smile of Mona Lisa. It is that mesmerizing something filled with duende and saudades. It is Spanish and African and Brazilian all rolled into ...
Jim Beard: Revolutions
by Raul d'Gama Rose
Few big band music is as exiting and swings with such abandon as the music played by the various incarnations of ensembles that gather together in the name of Charles Mingus, and that played by bands sometimes assembled by Carla Bley and, of course, the music directed by the one and only Maria Schneider. And then ...
Meeco: Amargo Mel
by Raul d'Gama Rose
Meeco is a rather young musician who appears drawn not simply to the musical idioms of jazz, popular music and a myriad of those in the Latin tradition; he also set out to do what musicians of his age seldom attempt: he's made a troubadour record. Amargo Mel is a very difficult project to pull off, ...
Fred Hersch Pocket Orchestra: Live at the Jazz Standard
by Raul d'Gama Rose
Fred Hersch has been known to push the envelope on many occasions--writing and performing music that has, time and again, crossed a myriad of boundaries of categories. And the pianist has done it again with Live at the Jazz Standard a record that happened thanks to the fact that the music of this concert was being ...
Venissa Santi: Bienvenida
by Raul d'Gama Rose
The high art of Bienvenida is no accident. This is because its principal performer is the miracle behind it all. Venissa Santi is one of those supremely talented new vocalists who blazes--comet-like, across the musical horizon--but once in a lifetime. She joins the likes of Billie Holiday, Abbey Lincoln, Sheila Jordan, Elis, Rosa, Celia and Flora ...
Ximo Tebar: Steps
by Raul d'Gama Rose
Steps, by guitarist extraordinaire Ximo Tebar, may be his most deceptive yet. At first blush, it appears to channel the funky grooves of latter-day Miles Davis and Marcus Miller. But then, with complex melodic invention and accelerated rhythmic accentuation it soon becomes evident that this music embodies an ebullient sound of surprise. If anything, Tebar channels ...
Sun Ra: Sun Ra Featuring Pharoah Sanders & Black Harold
by Raul d'Gama Rose
Sun Ra featuring Pharoah Sanders & Black Harold is a near mythical document of the astral traveling Arkestra. There are two reasons for this. Firstly, this recording came a year before the now historic and certainly definitive Arkestra records, Heliocentric Worlds Vol. 1 & 2 (ESP, 1965) and Magic City (Saturn, 1965) that came hot on ...
Ronnie Boykins: The Will Come, Is Now
by Raul d'Gama Rose
For Ronnie Boykins, Sun Ra's bassist, The Will Come, Is Now brings to a close a remarkable sojourn that stretched from his galactic showcasing with the Arkestra at the Judson Hall performances of 1964 to an intellectual deconstruction of bebop. During the years that followed, Boykins appeared with Sam Rivers and was also heard at Ornette ...
Charlie Parker: Bird in Time 1940-1947
by Raul d'Gama Rose
Charlie ParkerBird in Time 1940-1947--Selected Recordings and Rare InterviewsESP-Disk2008 Let us now praise a famous ghost... embracing the spirit of Charlie Bird Parker. They are like feathers fluttering down from a spirit up above. Bird feathers. I make haste to collect them as the settle around me ...
Erica Pomerance: You Used To Think
by Raul d'Gama Rose
You Used To Think is one of those records that defines the late 1960s cry for freedom. Laced with existential angst, the music is a Joycean journey that meanders musically--in a gloriously atonal manner--through myriad idioms, including jazz, folk, and a wet canvas of classical Indian ragas. The glue that binds it all is the eerily ...
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