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DYAD: Dyad Plays Jazz Arias

by Jerome Wilson
Classical-jazz hybrids, such as the Modern Jazz Quartet, traditionally keep the formal structure of classical music foremost in their work. Not so the duo of Lou Caimano and Eric Olsen collectively known as Dyad. Their version of Jazz Meets The Classics" is a loose, freewheeling beast that occasionally breaks off from the classical side and follows ...
Lauren Kinhan: Circle In A Square

by C. Michael Bailey
Vocalist Lauren Kinhan is the alto quarter of vocal ensemble New York Voices and the leader of two previous solo outings, Hardly Blinking (Orchard, 2000) and Avalon (Koch, 2010). She was most recently hears on New York Voices holiday offering, Let It Snow (Five Cent Records, 2013). Kinhan's solo recordings are all originally composed by the ...
Jake Hertzog: Throwback

by Glenn Astarita
With his fourth solo venture, nascent New York-based guitarist Jake Hertzog beckons the services of celebrated jazz trumpeter, Randy Brecker. His conspicuous synergy with longtime associates, bassist Harvie S and drummer Victor Jones is true to form on a set that highlights an uncanny blend of harmonically appealing content and edgy jazz-fusion extravaganzas, heightened by Hertzog's ...
The Avengers: On A Mission

by Dave Wayne
If there's such as thing as good old basic, meat-and-potatoes straight ahead jazz, then The Avengers' new album On A Mission could fairly be characterized as good old basic meat-and-potatoes jazz-rock fusion. Largely--but not completely--devoid of avant-garde, metal, or prog-rock stylings, On A Mission is a straight-ahead fusion album somewhat along the lines of recent offerings ...
Metropole Orkest / John Scofield / Vince Mendoza: 54

by John Kelman
Metropole Orkest / John Scofield / Vince Mendoza 54 Emarcy 2010 Guitarist John Scofield's shared history with Vince Mendoza dates back to the composer/arranger/conductor's Start Here (World Pacific, 1990) and Instructions Inside (EMI/Manhattan, 1991)--two criminally out of print gems that provided early evidence of Mendoza's distinctive harmonic language, compositional perspicacity and ...