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473

Article: Profile

Joseph Jarman

Read "Joseph Jarman" reviewed by Kurt Gottschalk


Chicago was my indoctrination. In 1990, I attended the 25th anniversary of the Association for the Advancement of Creative Musicians. I was basically an avant rock fan, overly confident in my then miniscule knowledge of free music. I wish now I even knew who I saw during that weekend festival, but it was one of the ...

545

Article: Profile

Ellery Eskelin

Read "Ellery Eskelin" reviewed by AAJ Staff


By Sean Patrick Fitzell The framed promotional posters and paintings on the walls of saxophonist Ellery Eskelin's apartment tell a story. Mementos from European tours with his trio and collaborations with influential drummers Han Bennink and Daniel Humair fit comfortably alongside family photos. While illustrating the diversity of his projects and suggesting their ...

962

Article: Profile

Saxophonist Tony Malaby

Read "Saxophonist Tony Malaby" reviewed by Matt Rand


Tony Malaby is wearing running pants and sandals. His window is wide open to the street out front and the chilly air that the sunset is bringing in. He has just gotten off the phone with the Knitting Factory, working out the particulars for the June 30th CD release party for his upcoming album, Apparitions.

527

Article: Profile

Eric Lewis: Future Music

Read "Eric Lewis: Future Music" reviewed by Franz A. Matzner


Eric Lewis possesses a gifted mind that never lets go. In fact, it can appear almost compulsive, the way Lewis attacks material, as if his mind refuses to release an idea until it has been absolutely dissected, examined, reassembled, and then reordered all over again. And if he falls upon a particularly pleasing, or perhaps confounding, ...

483

Article: Profile

Legends of the Clarinet: Buddy DeFranco & Tony Scott

Read "Legends of the Clarinet: Buddy DeFranco & Tony Scott" reviewed by AAJ Staff


Submitted on behalf of Russ Musto When the JVC Jazz Festival presents Legends of the Clarinet at the Iridium from June 17th-22nd it will mark the return of the bebop era's two greatest innovators of that instrument, now largely neglected in jazz, to the place where they both began to develop as the ...

707

Article: Profile

A World of Trombone: Slide Hampton & Bob Brookmeyer

Read "A World of Trombone: Slide Hampton & Bob Brookmeyer" reviewed by AAJ Staff


Submitted on behalf of Jonathan Davidson Ask any lay listener to list the most influential jazz saxophonists of the 20th Century and you're likely to come up with a short list including Coltrane, Bird and a few others. But, ask an educated musician the same question and that list would expand to dozens. ...

660

Article: Profile

Ray Brown: The Telarc Years

Read "Ray Brown: The Telarc Years" reviewed by Franz A. Matzner


Born October 13, 1926 in Pittsburgh, Pennsylvania, preeminent jazz bassist Ray Brown passed away on July 2, 2002. His career as one of jazz’s foremost players spanned 58 years and has left a recording legacy of literally thousands of albums. His career began early, as a bebopper with Dizzy Gillespie and Charlie Parker, and continued from ...

422

Article: Profile

Finding Carla Bley

Read "Finding Carla Bley" reviewed by Celeste Sunderland


Some people store their collections in cigar boxes. Others display them in glass cases. Pianist/composer Carla Bley buries her collection in the ground behind the upstate New York home she shares with bassist Steve Swallow. It's a collection of treasures culled from exotic locales she tours. Bley collects seeds. Little bunches of lettuce, wild rashes of ...

751

Article: Profile

Steven Bernstein

Read "Steven Bernstein" reviewed by Celeste Sunderland


Prince can heat up a Detroit night with his slippery tongue and quivering guitar vamps. Trumpet player Steven Bernstein can do as much for a New York jazz club with his slide trumpet and an eight-piece band. On one of his Monday night residency performances last month at the Jazz Standard, Bernstein's group the Millennial Territory ...

785

Article: Profile

Steve Lacy: Straight from the Horn

Read "Steve Lacy: Straight from the Horn" reviewed by Andrey Henkin


“I wanted to come back. You can't stay away forever. I'm from here, I'm from New York and it was time to come home." Soprano saxophonist Steve Lacy, whose career began inauspiciously in 1954 on an instrument which would lose its main progenitor in Sidney Bechet five years later, made this statement recently during ...


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