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Pucho & the Latin Soul Brothers: Cold Shoulder
by Derek Taylor
In the late 1960s Henry “Pucho” Brown was at the top of the heap. Successfully merging Soul, Funk and Latin rhythms into a steaming, genre-bending gumbo he hit upon a formula that packed both the dance floors and his pockets. A deluge of albums ensued, but predictably those later in the cycle relied heavily on the ...
Houston Person: Blue Odyssey
by Derek Taylor
Much to the chagrin of many critics the late 1960s was a heyday of sorts for Soul Jazz. The number of cats dipping their paws into the sweet nectar of the style would never again reach such denominations as it did during the close of the decade. Person, a saxophonist with both soulful touch and a ...
Dexter Gordon: Tangerine
by Derek Taylor
There is no shortage of Dexter Gordon sessions available on disc. Even with sporadic absences from recording Long Tall Dex still managed to cut a mammoth number of records during his illustrious career. With so much available there’s bound to be a continuum when it comes to quality. While this disc isn’t a classic on par ...
Sonny Stitt: Low Flame
by Derek Taylor
Despite its periodic popularity and its tenable ties to today’s acid jazz scene 60s soul jazz has a checkered history when it comes to critical acceptance. Denigrated as simplistic and repetitive the music was often judged on unequal footing with more ‘scholarly’ schools of jazz such as be-bop and cool. The Hammond B-3 players who were ...
Don Patterson/Booker Ervin/Houston Person: Just Friends
by Derek Taylor
Patterson is in the company of two of the 60s most formidable tenors on the pair of sessions collected on this disc. Person is first to bat and fronts a quartet rounded out by Martino and James. His brawny, resonant tone is a worthy compliment to Patterson’s adroit keyboard attack and the strength of their match ...
Joe Newman & Henry "Red" Allen: Hot Trumpets of...
by Derek Taylor
Though waxed less than a month apart the sessions coupled on this disc spotlight the talents of two stylistically divergent trumpeters. Newman was a Basie Band alum and firmly grounded in the pleasures and politics of swing. Allen’s sound was derived from older New Orleans traditions and his youthful tenure with Louis Armstrong’s big band. The ...
Booker Ervin & Pony Poindexter: Gumbo!
by Derek Taylor
A strange combination of sorts, this release gathers two disparate sessions whose only apparent common denominator is the incredible Booker Ervin. Ervin’s name on the bill should be a signal to most jazz fans that the contents contained herein are worthy of their attention. The added bonuses are many as well and include a brief, but ...
Bill Jennings/Jack McDuff: Glide On
by Derek Taylor
To most readers Brother Jack is probably the more recognizable name on this double billing disc. Jennings was something of an obscurity even when these sessions were originally released, but not because of a lack of talent. His easy, blues-based style and clean touch on the strings contrast his anonymity and describe a musician who really ...
Taft Jordan: Mood Indigo
by Derek Taylor
Metaphorically equating the Ellington Orchestra with the Amazon River is an easy prospect. The hundreds of players who passed through its ranks are as numerous as the tributaries that pour into the mighty South American waterway. Ellington’s skill at shaping and sculpting his sidemen into his monumental sound and vision is legendary and with good reason. ...
Johnny "Hammond" Smith: Soul Flowers
by Derek Taylor
P>Considering the sometimes-swaggering braggadocio of the soul jazz scene any B-3 player audacious enough to attach the instrument to his name was begging for a fracas from his peers. Fortunately for Smith he had several decades of experience at the organ under his belt when he cut this pair of sessions and the requisite chops to ...
