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Chuck Wayne: Morning Mist
by David Rickert
Chuck Wayne was one of many jazz musicians who made their living primarily in studio orchestras, forgoing any sort of fame they might have achieved as a recording artist or club fixture. Thus he falls into the perilous realm of being a “guitarist’s guitarist,” which is just a polite way of saying that his records weren’t ...
Brother Jack McDuff: Prelude
by C. Michael Bailey
If you, the gentle listener, were to ever tire of Jimmy Smith following an overdose of the master’s Blue Note catalog, I would direct you to anything by Brother Jack McDuff. A native of Champaign, IL, McDuff cut his teeth with Willis Jackson and Jimmy Forrest and helped a young George Benson get started. McDuff supported ...
Gene Ammons: Fine and Mellow
by Derek Taylor
Gene “Jug” Ammons was a sucker for finely wrought pop songs. He was also unapologetic slave to melody, putting his sturdy saxophone into the service of countless hummable themes. But his improvisations were never slavish and even with material of papish pedigree he always seemed to find something worthwhile to say. Perfect case ...
Jack McDuff Big Band: Prelude
by David Rickert
McDuff was one of the artists able to capitalize on the success of Jimmy Smith, who briefly made organ combos fashionable in the sixties. Prelude is the third in a series of McDuff compilations that comb his prolific Prestige years for the best material. Whereas the first two were split between live and studio recordings, this ...
Bobby Timmons: The Prestige Trio Sessions
by Jerry D'Souza
Some music never dies. It just sleeps for a while and then comes back in reissues. While some of it could well have stayed buried, this merging of two Timmons recordings is well deserving of attention. Timmons made some fine music, soul jazz if you will, the blues deeply shaded for sure. And even if he ...
J.J. Johnson: The J.J. Johnson Memorial Album
by Norman Weinstein
Is it possible to think of jazz trombone without the artistry of J.J. Johnson coming to mind? His death in 2001 brought closure to a career covering a half-century, and there are few major figures in bop/ mainstream jazz that didn't share concert billing with him. His recorded output graced a number of labels: Blue Note, ...
Bobby Timmons: The Prestige Trio Sessions
by C. Michael Bailey
Late 2003 will see a changing of the guard at the famous Philadelphia Orchestra. Maestro Wolfgang Sawallisch will turn over his baton to his younger protégé Christoph Eschenbach, providing the orchestra only its seventh conductor in its century-plus history. During a recent interview in the Paris of the West, Eshenbach pointed out that there does not ...
Sonny Stitt: Goin
by C. Michael Bailey
Goin’ Down Slow was recorded during the same period as Bobby Timmons’ Orchestra and Trio, both recordings made in the 1970s to appeal to '70s sensibilities. That it is unfair to compare these recordings by today’s or today’s retro-sensibilities goes without saying. But nothing takes the grease out of hard bop faster than strings and other ...
Eddie "Lockjaw" Davis & Shirley Scott: Bacalao
by Derek Taylor
Eddie "Lockjaw" Davis and Shirley Scott traffic in music that comes from the gut as much as the intellect. It strikes with a visceral force, but retains an artistic edge. Their prolific output for Prestige, while stylistically interchangeable in some cases, still held true to the distinct vernaculars of blues and jazz improvisation. This date proves ...
Gene Ammons & James Moody: The Chicago Concert
by Derek Taylor
Gene Ammons took the stage countless times during a career that spanned well over three decades. On a significant number of those dates, Jug found himself in the company of other horns, but sparks were often most plentiful when his foil in the frontline was a single tenor saxophone. Sonny Stitt abetted as his most common ...
