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4

Article: Play This!

Oreglo: Opedge

Read "Oreglo: Opedge" reviewed by Scott Lichtman


This writer was persuaded to switch from trumpet to tuba in high school and, ever since has been looking for a modern, hard-grooving quartet underpinned by tuba on which to hang his fanboy hat. The moment has arrived: the band is oreglo and the song featured here is “opedge." Guitarist Linus Barry, drummer Nicco Rocco, keyboardist ...

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Article: Play This!

John Scofield: Aileron

Read "John Scofield: Aileron" reviewed by Scott Lichtman


For decades, John Scofield has stood on one of the pedestals labelled “greatest bop/groove guitarist of his time." He's achieved this through a combination of blistering alt-scale solos, clever compositions, and world-class groups. Yet, not everyone listening to his work today knows just how skilled and intense he was as a post-bebopper early on. Take the ...

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Article: Play This!

Remembering Roy Haynes: Modern Jazz Giant

Read "Remembering Roy Haynes: Modern Jazz Giant" reviewed by Ian Patterson


When Roy Haynes sat down at the tiny kit on the stage of the Everyman Theatre, during the Guinness Cork Jazz Festival in 2005, he shook his head ruefully and said, “Man, I feel like a midget!" Rising above the audience laughter, somewhere in the depths of the theatre, a voice replied, “Roy, you're a giant!" ...

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Article: Play This!

Lucy Woodward & the Rocketeers: Plain Gold Ring

Read "Lucy Woodward & the Rocketeers: Plain Gold Ring" reviewed by Ludovico Granvassu


Here is a song that is striking for how well it combines beauty and complexity without any need for compromise between these two traits. “Plain Gold Ring" is the opening song of the self titled album by Lucy Woodward and the Rocketeers. Woodward has a track record of tackling iconic songs tightly associated with ...

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Article: Play This!

Chemical Clock: Donut Cat

Read "Chemical Clock: Donut Cat" reviewed by Mike Jacobs


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Article: Play This!

Dhafer Youssef: 39th Gulay (To Istanbul)

Read "Dhafer Youssef: 39th Gulay (To Istanbul)" reviewed by Mike Jacobs


Dhafer Youssef's live tour de force, “39th Gulay (to Istanbul)" vibrates with the electrifying hallmarks the oud master's work is known for: beautifully odd matrices spun with harmonic and instrumental eclecticism with participation from a wide variety of A-listers. Featured here are Kristjian Randalu on piano, Eivind Aarset on electric guitar, Phil Donkin on upright bass, ...

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Article: Play This!

Ibrahim Maalouf: True Sorry

Read "Ibrahim Maalouf: True Sorry" reviewed by Scott Lichtman


AAJ's Ian Patterson has written A Brief Guide To Lebanese Jazz, in which trumpeter Ibrahim Maalouf is a highlight. Maalouf was forced to migrate from Beirut to Paris during the Lebanese Civil War and has since become known worldwide for his melding of world, jazz, pop and classical genres. One of his most moving pieces is ...

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Article: Play This!

Kenny Wheeler: Smatter

Read "Kenny Wheeler: Smatter" reviewed by Scott Lichtman


The song “Smatter," from trumpeter Kenny Wheeler, offers the chance to hear several grandmasters of jazz concoct high-energy music together. For Wheeler's debut on ECM Records, Gnu High (ECM, 1976), he gathered the creative forces of Keith Jarrett, Jack DeJohnette and Dave Holland on the album's three tracks. Gnu High would quickly be deemed a classic. ...

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Article: Play This!

D.D. Jackson: I Call

Read "D.D. Jackson: I Call" reviewed by John Chacona


"I Call," is a poem about the immigrant's dilemma of identifying with two places but fully inhabiting neither, using the refrain, “a place that doesn't exist" to name this condition. Yet Quebec-born Toronto poet Choucri Paul Zemokhol's family came to Canada from the Middle East, a place that, even in the interval since the poem's publication ...

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Article: Play This!

Branford Marsalis & Joey Calderazzo: Face on the Barroom Floor

Read "Branford Marsalis & Joey Calderazzo: Face on the Barroom Floor" reviewed by Scott Lichtman


On “Face on the Barroom Floor," the duo of Branford Marsalis and Joey Calderazzo pay tribute to Wayne Shorter by distilling one of Shorter's most beautiful pieces into its essentials. The sentiment might be interpreted as “a lovelorn individual drinks himself into forgetfulness. We hope for a happier future for him." Marsalis and Calderazzo take the ...


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