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Results for "Pierre Giroux"
Daphne Roubini and Black Gardenia: Whiskey Scented Kisses
by Pierre Giroux
Whiskey Scented Kisses begins without a grand entrance, just a quiet claim staked in the opening. Vocalist Daphne Roubini does not dwell on nostalgia so much as settle into it, as if the language of the '40s and '50s were simply how she thinks out loud. Around her, the band Black Gardenia moves with unspoken ease. ...
Jesse Davis Quartet: Reflections
by Pierre Giroux
<em>Reflections</em> by alto saxophonist Jesse Davis, joined by pianist Spike Wilner, bassist John Webber, and featured guest drummer Lewis Nash, was recorded at GB’s Juke Joint in Long Island City in March 2025 and is the kind of album that doesn’t announce itself loudly. It just feels lived in. Unhurried, assured, yet steeped in memory and ...
Tierney Sutton and Tamir Hendelman: Spring
by Pierre Giroux
There is a quiet courage in making an album like Spring, with just two seasoned musicians sitting with the material and letting it develop. In unsettled times, it feels almost revolutionary. Tierney Sutton has long understood that the heart of a song lies in its words. Here, she treats the lyrics as truths to be uncovered. ...
Champian Fulton: House Party
by Pierre Giroux
There are evenings when jazz truly finds its footing: social, spontaneous, and unguarded. House Party was recorded live in March 2025 at a producer's home for Turtle Bay Records, capturing one such moment. Pianist-vocalist Champian Fulton, joined by bassist Hide Tanaka and drummer Fukushi Tainaka, along with guest saxophonists Klas Lindquist and Cory Weeds, dispense with ...
Bernie Senensky: Duos
by Pierre Giroux
Duos by Bernie Senensky is a record built on patience, craftsmanship, and the quiet confidence of musicians working together. It is a carefully arranged and well-executed set that highlights one of Canada's most respected pianists performing in a duo, accompanied only by a saxophone voice from a select group of notable North American saxophonists, where any ...
Mal Waldron: Stardust & Starlight At The Jazz Showcase
by Pierre Giroux
The never-before-released Stardust & Starlight: At The Jazz Showcase captures pianist Mal Waldron in August 1979, first in solo, then in the company of bassist Steve Rodby and drummer Wilbur Campbell, then in dialogue with the ever-incisive saxophonist Sonny Stitt, and always in conversation with himself. Resonance Records issues this performance as a limited-edition 180-gram 2-LP ...
Freddie King: Feeling Alright: The Complete 1975 Nancy Jazz Pulsation Concerts
by Pierre Giroux
Some archival releases simply take up space on the record shelf, while others are rare discoveries that reignite passion, danger, and significance in an artist's legacy. Freddie King--Feeling Alright: The Complete 1975 Nancy Jazz Pulsation Concerts, is issued by Elemental Records in a limited edition 3-LP set in time for Record Store Day and later available ...
Roy Hargrove: Bern
by Pierre Giroux
The appearance of Bern, a previously unreleased recording from May 4, 2000, at the International Jazzfestival in Bern, Switzerland, is the kind of archival find that reminds listeners how electrifying Roy Hargrove could be live. Released by Time Traveler Recordings on LP for Record Store Day, with CD and digital download versions to follow later. This ...
Michel Petrucciani: Kuumbwa
by Pierre Giroux
Michel Petrucciani's Kuumbwa is the type of release that reminds us why live jazz recordings still matter. This is not a vault-cleaning exercise, nor just a historical note. Recorded at the Kuumbwa Jazz Center in Santa Cruz, California, in 1987, it is now released by Elemental Music, first as an exclusive two-LP Record Store Day set, ...
Joe Henderson: Consonance: Live At The Jazz Showcase
by Pierre Giroux
Some live recordings capture a set. Others capture a feeling. Joe Henderson's Consonance: Live At The Jazz Showcase, Resonance Records' newly discovered limited edition 3LP Record Store Day release, followed shortly by a 2CD version, is more than just another archival find. It feels vibrant from the very first notes, reminding us how Henderson could turn ...


