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Flavour

Flavour was created by pairing the talents of keyboard engineer and composer Lawrence Ross, with the big sound and delightful tones of saxophonist Bryne Donaldson. Formed in 2010 in Phoenix, AZ, the idea was a small footprint band with a big sound. The purpose: to satisfy a niche in the market for venues that had no stage for a full band, but yet still wanted live music. The combination of Bryne’s old school, gospel influences and Lawrence’s new age sounds is a unique and exciting blend. The group started playing cover tunes in upscale restaurants, resorts and country clubs in the Phoenix area

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Natalie Hamilton

Natalie Hamilton is a singer/songwriter/producer praised as "Evocative" with a "Stunning Voice" by Ink 19 Magazine and “Marvelous, Feminine and Tough" by Rolling Stone and SPIN Magazine music journalist Thom Jurek.

 

Her compositions "meld the sophistication of jazz with the timeless intimacy of folk." (Ink 19 Magazine) 

Sandy Cooperman of The Daily Sun said "she is able to say more with humming than most singers can say with words... reminiscent of a young Barbra Streisand."  Derek Sivers, the founder of CD Baby, upon hearing Natalie's debut album, said: "I love Natalie's narrative, lyrical style, like Joni Mitchell's 'The Hissing Of Summer Lawns." 

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Simon Deeley

Born:

SIMON DEELEY - COMPOSER, PIANIST, JAZZ TUTOR

Simon Deeley grew up in the North Worcestershire village of Clent Nr. Kidderminster. He started his musical studies with piano lessons at aged seven. Up until his mid twenties, his studies were focused on classical music, however, alongside his classical work, he always had an interest in jazz, blues and rock music. This strong interest (in these other styles) became an ever increasing passion and focus for him as a developing performer which, in his late twenties,culminated in him starting to work with local jazz musicians, and then going on to play at well known jazz clubs and music venues in the B'ham and West Midlands area. During his time on the Midland's jazz scene he played alongside some of the best known and acclaimed players on the scene, including - Bryan Corbett, Casey Greene, Percy Pursglove, Steve Ajao, Chris Gumbley and Andy Derrick.

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Dan Roberts

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Yoko Miura

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Monika Hoffman

Born:

MONIKA HOFFMAN is a Swedish singer with Hungarian-German roots. She is at home not only in classical music, latin, jazz and pop, but also in three languages, namely Swedish, Hungarian and English – all of which she uses for shades of musical expression that are quite distinct. Monika Hoffman studied at Berklee College of Music in Boston, where she played with legends like Michael Brecker and Charlie Haden. In Hungary she became well known for participating in the TV show Megasztár – Voice of the Year, which resulted in a recording contract and a spot in the Hungarian finals for the Eurovision Song Contest

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Fergus McCreadie

Born:

With his second album, Cairn, released by leading European label Edition Records and picking up great early feedback (5 stars from Mojo and tipped as one of the jazz albums of 2021 by prominent radio presenters) Scottish pianist Fergus McCreadie continues to excite listeners across the UK and Europe. A phenomenal technician, McCreadie has developed a deeply personal style that captures Scotland’s musical traditions and landscapes while honouring his American and Nordic influences. His trio with David Bowden (double bass) and Stephen Henderson (drums) has developed into a formidable, superbly cohesive unit

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Musician

Adi Wijaya

Adi Wijaya may be known to you for his keyboard work on the album Chapter One by the Yogyakarta 'prog—jazz-rock' guitar-led group I Know You Well Miss Clara. He is approximately 30 years old and holds a Masters Degree in music composition. He lives in the city Yogyakarta, Indonesia and teaches piano.

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Dave Cornwall

In a very small New England church, the organist ends her final hymn. The clamor of the socializing begins as families and seniors begin making their way to relatives, friends, and warm, familiar conversation. As the peacefulness of the day almost subsides completely, an anxious spark within two very small brothers sends them straight away to the church's spinet piano where the friendly noises all around provide them with more than adequate "cover" for their somewhat theatrical re-creations of Mrs. Butler's powerful, gospel-influenced stylings. Most of the people didn't complain too much, but boy, did we have a great time! Years later, I would add on to my treasured early "experience," studying both technique and performance with Professor Emeritus Henry Santos, a renowned concert pianist, music scholar, and historian

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Susan Elliott


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