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Hafez Modirzadeh: In Convergence Liberation
by Hrayr Attarian
Multi-instrumentalist, composer and ethnomusicologist Hafez Modirzadeh's In Convergence Liberation on the intrepid Pi Recordings label is an ambitious work, and one at which he admirably succeeds. The album is a single, unified entity made up of five distinct but interlaced suites that explore a primal spirituality and express it in timeless poetry. Deftly merging ...
Steve Lehman Octet: Mise en Abîme
by Martin Longley
It's been five years since Steve Lehman's last Octet album, so we're now voracious for more expanded material. Right at the start, his alto saxophone is briefly alone, and then the entire ensemble weighs in, earthy yet finely controlled. Chris Dingman's customised vibraphone is absolutely central to the sound of these Lehman originals, most of which ...
Steve Lehman: Mise en Abîme
by Dan Bilawsky
There's much ado about the co-mingling of styles, languages, and genres in saxophonist Steve Lehman's music. A good amount of what's been written about his work has focused on his use of spectral music techniques and live electronics, the specially-made microtonal vibraphone that Chris Dingman plays, and the way Lehman mixes it all together to create ...
Matt Mitchell: Fiction
by Enrico Bettinello
Chi abbia avuto modo di verificare, anche dal vivo oltre che su disco, le doti di Matt Mitchell (nel quintetto di Dave Douglas o soprattutto negli Snakeoil di Tim Berne) sa bene con quale intelligenza e originalità il pianista collabori nella costruzione delle architetture musicali in cui è coinvolto. Per questo suo lavoro d'esordio ...
Steve Lehman: Mise en Abîme
by Luca Canini
È successo tutto piuttosto in fretta: da giovane promessa a venerato maestro. Un'ascesa irresistibile quella di Steve Lehman, un'esplosione assordante. Qualche anno e una manciata di dischi sono bastati per farlo entrare nel novero dei grandissimi del jazz che conta (quello che guardando al passato si proietta verso il futuro: il resto è tempo più o ...
Steve Lehman: Mise en Abîme
by Karl Ackermann
Composer/saxophonist Steve Lehman's credentials are as unique as his music. A Fulbright scholar with a PhD in composition, his on the job training has been at the hands of a diverse group of teachers including saxophone legends Jackie McLean and Anthony Braxton. A New York native, Lehman garnered widespread praise with the groundbreaking Travail, Transformation and ...
Marc Ribot Trio: Live at the Village Vanguard
by Troy Collins
Renowned Downtown guitarist Marc Ribot has performed with everyone from famed roots producer T Bone Burnett to avant-garde legend John Zorn. Ribot's own efforts as a bandleader have been equally eclectic, ranging from the freewheeling Latin jazz excursions of Los Cubanos Postizos to the Albert Ayler-inspired no wave assault of Shrek. In 2004 Ribot formed Spiritual ...
Dan Weiss: Fourteen
by Hrayr Attarian
Intrepid drummer Dan Weiss' multi segment Fourteen is not a suite in the classical sense of the word. Although spread out over seven sections the vibrant and fluid composition flows seamlessly throughout the entire album without, distinct traditional movements. “Part 5" for instance takes off with trombonists' Jacob Garchik and Ben Gerstein's baroque refrains ...
Marc Ribot Trio: Live At The Village Vanguard
by Dan Bilawsky
Playing and recording at New York's Village Vanguard is often seen as a sign of ascendancy in the jazz world. For some, the honor is bestowed early on; for others, it comes at a more mature stage; and for a third group, it comes even further down the road. Guitarist Marc Ribot is part of that ...
Marc Ribot Trio: Live At The Village Vanguard
by Mark Corroto
It had been 16,631 days since bassist Henry Grimes had last played music at New York's infamous Village Vanguard. His performance, with saxophonist Albert Ayler, on December 18, 1966 was recorded and released as In Greenwich Village (Impulse!, 1967). Back after 45 years, 6 months, and 12 days, the bassist, now part of guitarist Marc Ribot's ...
