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Muriel Grossmann: Union
by Mark Corroto
The music on saxophonist Muriel Grossmann's Union is very familiar. Is that because all the compositions had been previously released? Not at all. Actually, the versions heard here are more vibrant than their first incarnations. Chalk that up to Grossman and company working and reworking these compositions in performances. The band's familiarity with the material blossoms ...
Ivo Perelman: Brass And Ivory Tales
by Mark Corroto
Archeologists and cultural anthropologists theorize early humans had some form of music appreciation. They listened to the sounds wind made as it passed through trees. The breeze sounded different passing through oak than it did fir trees, and the sound was altered whether it was spring or fall. Then there were the bird songs, the first ...
Ill Considered - Reconsidered
by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...
Don Cherry: Complete Communion & Symphony For Improvisers Revisited
by Mark Corroto
Before his departure, Don Cherry was a kind of Johnny Appleseed for what would eventually be called the “New Thing" in jazz. He can be heard in the midst of the innovative work of Ornette Coleman, Sonny Rollins, Albert Ayler, Steve Lacy, Archie Shepp, and John Tchicai. Cherry's fertilizations changed the sound of creative music then ...
When Jazz Pops, Part 2
by Ludovico Granvassu
Ornette Coleman playing for Lou Reed? Or the Sun Ra Arkestra together with Steven Bernstein's Sexmob Orchestra backing U2 courtesy of Hal Willner? And Kenny Wheeler collaborating with both David Sylvian and Joni Mitchell? This and many more fascinating collaborations between jazz masters and pop and rock musicians in this playlist.Happy listening!Playlist ...
Run Logan Run: For A Brief Moment We Could Smell The Flowers
by Chris May
Tenor saxophone and drums albums have been at the heart of London's alternative jazz scene since its first stirrings around 2015. That year, saxophonist Binker Golding and drummer Moses Boyd, then members of singer Zara McFarlane's backing band, started tossing riffs and beats back and forth to each other during pre-gig soundchecks. In ...
John Coltrane: A Love Supreme - Live In Seattle
by Chris May
A Love Supreme: Live In Seattle comes from a gig at The Penthouse in October 1965. The recording, by a septet, is a radical reading of : John Coltrane's suite which has only previously been heard by friends and students of saxophonist and educator Joe Brazil, who taped it and who, few days earlier, had played ...
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
A Different Drummer, Part 5: Terri Lyne Carrington
by Karl Ackermann
In her 2003 Carnegie Mellon University paper Experience West African Drumming: A Study of West African Dance-Drumming and Women Drummers, Leslie Marie Mullins explains that drumming was explicitly the territory of male musicians in West Africa. Mullins reveals that several myths were employed to keep women and drums far apart. Among them, Ghanaian women were thought ...
Zakir Hussain: Making Music, Part 2-2
by Ian Patterson
Part 1 | Part 2 It seemed inevitable that Zakir Hussain would collaborate with jazz musicians as the '70s unfolded. Jazz had been sidling up to Indian classical music gradually since the early '60s. In 1962, Gary Peacock and Bud Shank played on Ravi Shankar's album Improvisations (World Pacific), although this was ...
