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Article: Year in Review

Il meglio del 2016 secondo Giuseppe Segala

Read "Il meglio del 2016 secondo Giuseppe Segala" reviewed by Giuseppe Segala


Selezionare i migliori dischi e concerti dell'anno è un bel gioco. Un gioco molto serio, che inizia in modo spensierato, mentre si inseriscono i primi titoli, ma diventa sempre più difficile quando ci si accorge che si è già verso la fine e si affollano ancora tanti lavori meritevoli. Iniziano dunque le considerazioni, si tracciano e ...

4

Article: Album Review

Ingrid Laubrock Serpentines: Serpentines

Read "Serpentines" reviewed by John Sharpe


On the eponymous Serpentines, German-born, NYC-based saxophonist Ingrid Laubrock's unveils a new outfit featuring unconventional instrumentation, peopled by an all star cast. For this line up Laubrock takes her enigmatic charts for groups such as Anti-house and Ubatuba to another level, as improv jazz meets the classical avant-garde in pieces where mood and texture often trump ...

8

Article: Album Review

Rodrigo Amado Motion Trio: Desire & Freedom

Read "Desire & Freedom" reviewed by Mark Corroto


Rodrigo Amado's Motion Trio is the model of free jazz genuineness and efficiency, and by that I mean proficiency. They give off an impression of nonchalance here, but don't let their relaxed approach fool you, beneath the surface their music is burning with all the agitation of the 1960's New Thing in jazz. After ...

7

Article: Album Review

Peter Evans Quintet: Genesis

Read "Genesis" reviewed by Karl Ackermann


The unbounded creative experimenter, Peter Evans, returns to his quintet formation for their third outing on Genesis. Pianist Carlos Homs, departed the group following their debut, Ghosts (2011), being replaced by Ron Stabinsky (Mostly Other People Do the Killing) on Destination: Void (2014), both on the More is More label. Evans was also a member of ...

4

Article: Album Review

Peter Brendler: Message In Motion

Read "Message In Motion" reviewed by David A. Orthmann


Message In Motion is a recording that can be gainfully approached from a number of angles. You can choose to play it in a single sitting from start to finish, taking in an array of moods evoked by bassist Peter Brendler's seven compositions and a band worthy of his exemplary skills as a writer. (The record ...

12

Article: Album Review

Protean Reality (feat. Chris Pitsiokos, Noah Punkt & Philipp Scholz): Protean Reality

Read "Protean Reality" reviewed by Karl Ackermann


An increasing presence on the downtown NYC circuit, alto saxophonist Chris Pitsiokos has worked with a number of free jazz luminaries such as Joe Morris, Nate Wooley, Peter Evans and Paul Lytton. He and Tyshawn Sorey joined the promising bassist Brandon Lopez as the Undermine Trio for a number of recent NYC performances. What stands the ...

Article: Album Review

Ron Stabinsky: Free for One

Read "Free for One" reviewed by AAJ Staff


Nome decisamente poco familiare dalle nostre parti quello del pianista di Philadelphia Ron Stabinsky. Componente da un po' di tempo degli irriverenti Mostly Other People Do the Killing (con i quali lo abbiamo ascoltato dal vivo a Saalfelden nel 2015, una prestazione davvero pazzesca), il musicista ha al suo attivo anche collaborazioni con Peter ...

19

Article: Album Review

Nate Wooley: Argonautica

Read "Argonautica" reviewed by Karl Ackermann


Trumpeter Nate Wooley is among the most exploratory and esoteric players/composers in creative improvisation along with fellow trumpeter/cornetists Rob Mazurek and Peter Evans. Wooley's catalog ranges from the wildly free The Nows (Clean Feed Records, 2011), a quartet that included Ken Vandermark and Paul Lyton, to the Bojan Vuleti composed chamber work, Atemwende (Ignoring Gravity Music, ...

Article: Live Review

Südtirol Jazz Festival Alto Adige 2016

Read "Südtirol Jazz Festival Alto Adige 2016" reviewed by Libero Farnè


Südtirol Jazz Festival Alto Adige Bolzano e provincia 24.06-03.07.2016 Come nelle passate due edizioni, dedicate alla scena francese e a quella britannica, anche quest'anno il Südtirol Jazz Festival Alto Adige si è confermato una delle mete da frequentare con curiosità per ascoltare nomi nuovi ed emergenti. Per quanto riguarda l'affollato palinsesto delle ...

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Article: Album Review

Ron Stabinsky: Free for One

Read "Free for One" reviewed by Karl Ackermann


Pianist Ron Stabinsky, officially became the fourth member of the Mostly Other People Do the Killing with Mauch Chunk (Hot Cup Records, 2015) after having performed with the group live in 2013 and on Blue their recreation of Miles Davis' Kind Of Blue (Columbia, 1959) expertly restoring the Wynton Kelly/Bill Evans parts. The pianist has been ...


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