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Results for "Peter Evans"
Il meglio del 2016 secondo Giuseppe Segala
by Giuseppe Segala
Selezionare i migliori dischi e concerti dell'anno è un bel gioco. Un gioco molto serio, che inizia in modo spensierato, mentre si inseriscono i primi titoli, ma diventa sempre più difficile quando ci si accorge che si è già verso la fine e si affollano ancora tanti lavori meritevoli. Iniziano dunque le considerazioni, si tracciano e ...
Ingrid Laubrock Serpentines: Serpentines
by John Sharpe
On the eponymous Serpentines, German-born, NYC-based saxophonist Ingrid Laubrock's unveils a new outfit featuring unconventional instrumentation, peopled by an all star cast. For this line up Laubrock takes her enigmatic charts for groups such as Anti-house and Ubatuba to another level, as improv jazz meets the classical avant-garde in pieces where mood and texture often trump ...
Rodrigo Amado Motion Trio: Desire & Freedom
by Mark Corroto
Rodrigo Amado's Motion Trio is the model of free jazz genuineness and efficiency, and by that I mean proficiency. They give off an impression of nonchalance here, but don't let their relaxed approach fool you, beneath the surface their music is burning with all the agitation of the 1960's New Thing in jazz. After ...
Peter Evans Quintet: Genesis
by Karl Ackermann
The unbounded creative experimenter, Peter Evans, returns to his quintet formation for their third outing on Genesis. Pianist Carlos Homs, departed the group following their debut, Ghosts (2011), being replaced by Ron Stabinsky (Mostly Other People Do the Killing) on Destination: Void (2014), both on the More is More label. Evans was also a member of ...
Peter Brendler: Message In Motion
by David A. Orthmann
Message In Motion is a recording that can be gainfully approached from a number of angles. You can choose to play it in a single sitting from start to finish, taking in an array of moods evoked by bassist Peter Brendler's seven compositions and a band worthy of his exemplary skills as a writer. (The record ...
Protean Reality (feat. Chris Pitsiokos, Noah Punkt & Philipp Scholz): Protean Reality
by Karl Ackermann
An increasing presence on the downtown NYC circuit, alto saxophonist Chris Pitsiokos has worked with a number of free jazz luminaries such as Joe Morris, Nate Wooley, Peter Evans and Paul Lytton. He and Tyshawn Sorey joined the promising bassist Brandon Lopez as the Undermine Trio for a number of recent NYC performances. What stands the ...
Ron Stabinsky: Free for One
by AAJ Staff
Nome decisamente poco familiare dalle nostre parti quello del pianista di Philadelphia Ron Stabinsky. Componente da un po' di tempo degli irriverenti Mostly Other People Do the Killing (con i quali lo abbiamo ascoltato dal vivo a Saalfelden nel 2015, una prestazione davvero pazzesca), il musicista ha al suo attivo anche collaborazioni con Peter ...
Nate Wooley: Argonautica
by Karl Ackermann
Trumpeter Nate Wooley is among the most exploratory and esoteric players/composers in creative improvisation along with fellow trumpeter/cornetists Rob Mazurek and Peter Evans. Wooley's catalog ranges from the wildly free The Nows (Clean Feed Records, 2011), a quartet that included Ken Vandermark and Paul Lyton, to the Bojan Vuleti composed chamber work, Atemwende (Ignoring Gravity Music, ...
Südtirol Jazz Festival Alto Adige 2016
by Libero Farnè
Südtirol Jazz Festival Alto Adige Bolzano e provincia 24.06-03.07.2016 Come nelle passate due edizioni, dedicate alla scena francese e a quella britannica, anche quest'anno il Südtirol Jazz Festival Alto Adige si è confermato una delle mete da frequentare con curiosità per ascoltare nomi nuovi ed emergenti. Per quanto riguarda l'affollato palinsesto delle ...
Ron Stabinsky: Free for One
by Karl Ackermann
Pianist Ron Stabinsky, officially became the fourth member of the Mostly Other People Do the Killing with Mauch Chunk (Hot Cup Records, 2015) after having performed with the group live in 2013 and on Blue their recreation of Miles Davis' Kind Of Blue (Columbia, 1959) expertly restoring the Wynton Kelly/Bill Evans parts. The pianist has been ...


