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Peter Epstein / Brad Shepik / Matt Kilmer: Lingua Franca
by Abe Pollack
Technology and musical development have always seemed to work in tandem. Reel to reel recording made delay effects and multitracking techniques possible. Laptop processing has allowed trumpets to sound like cellos and cellos to sound like Jimi Hendrix. But the most intriguing technological advance for music in recent years has been the introduction of the iPod. ...
Lingua Franca
Label: Songlines Recordings
Released: 2005
Track listing: Two Door; Miro; Emerald; Temoin; Here & There; Monsaraz; Kumanovo; Sunrise;
Meditation; Improvisation 1.
Peter Epstein/Brad Shepik/Matt Kilmer: Lingua Franca
by John Dworkin
Like what's being done by many creative musicians today, including Kenny Wheeler, Bill Frisell, and Brian Blade's Fellowship, the music and approach on Lingua Franca are better described as searching than the more common burning. Peter Epstein, Brad Shepik, and Matt Kilmer trade more in water than fire. This is not a value judgement, just a ...
Dogs Outside
Label: Evander Music
Released: 2000
Track listing: 1 Dogs Outside; 2 Too Much Tea; 3 Streaming; 4 Big Oak; 5 Workshop; 6 Dark Day; 7 Los Angeles In The Sky; 8 Universal Dreams
Peter Epstein Quartet: The Invisible
by Mark Corroto
Saxophonist Peter Epstein changes sound and form as needed for the different lives he leads. In one prior life he sits in a cathedral alone, playing for the gods (see this month’s review of Solus ), in another he wears a Downtown existence in Jerry Granelli’s Badlands. Then there’s his Portuguese folk/jazz (see review of Almas), ...
Peter Epstein: Almas/Solus
by Mark Corroto
My ‘what I did during summer vacation’ essay would begin simply enough. “I listened to jazz.” I guess you can call what I listen too, ‘jazz.’ But then again, when is jazz not jazz? And can a jazz artist make a non-jazz record? Certainly, ask Miles Davis (sorry), ask Keith Jarrett and Wynton Marsalis, both have ...
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