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We Thought We Could Change The World
by Sammy Stein
We Thought We Could Change The World Gerard Rouy 189 PagesISBN: # 978-3-95593-047-9 Wolke Verlag Hofheim 2014 There are many worthy books on jazz, its history and growth, that provide insight into how the art form has influenced other genres and developed in different locations. This effort is ...
Rodrigo Amado's Motion Trio + Peter Evans: The Freedom Principle
by Mark Corroto
Saxophonist Rodrigo Amado requires a proper foil to his music making. Not so much a player who is his converse, but more like a complementary player. One who completes or enhances his sound. In trumpeter Peter Evans, he has found his homogeneous antithesis. Heard on two recent recordings, the LP-only release Live In Lisbon> ...
Jan Granlie: My Favorite Things - Jazz Photos 2004-2014
by Eyal Hareuveni
My Favorite Things--Jazz Photos 2004 -2014 Jan Granlie 182 Jazz og Sånn 2014 Norwegian photographer, writer and editor Jan Granilie has an intimate and through knowledge of the history and almost everyone that is involved in the Nordic and European jazz scenes. He edited the Norwegian jazz magazine ...
Jason Adasiewicz's Sun Rooms: From the Region
by Mark Corroto
An imagined overheard conversation in heaven between Martin Luther King and Mahatma Gandhi goes something like this: If only all music could swing this hard, there would be no need for war."Okay, maybe it wasn't MLK and Gandhi, but it could have been Horace Silver and Joey Ramone.In a trio format, Vibraphonist ...
Peter Brotzmann/Sonny Sharrock: WHATTHEFUCKDOYOUWANT
by Sammy Stein
This album is a release of archived material, recorded live in Luxembourg in 1987. Peter Brotzmann has been delving into his archives a lot lately and this release is one of the gems he found. Now on the Venetian label TROST, this collaboration between Brotzmann and guitarist Sonny Sharrock is widely available. Sharrock died in 1994 ...
Adam Lane: Live In Ljubljana
by Mark Corroto
In light of today's economic hardships, jazz orchestras or more precisely innovative jazz orchestras are really only little big bands. When you cannot travel with two dozen musicians, a leader must recruit players who can project a synergetic sound that appears greater than the sum of their parts. Masters of the little big bands include Taylor ...
Albert Ayler: Spiritual Unity
by Mark Corroto
Fifty years after the recording of Albert Ayler's Spiritual Unity, the music (and the man) are still causing tumult. It is not so much that free jazz hasn't been on our radar these past decades, it's just that this recording remains one of those where were you, when you first heard it?" experiences. Recorded ...
Riverloam Trio: Inem Gortn
by John Sharpe
After an impressive eponymous live debut, the Anglo Polish Riverloam Trio, comprising reedman Mikolaj Trzaska, bassist Olie Brice and drummer Mark Sanders, enter the studio for their follow up outing. In many ways they deliver more of the same: fiery free improvisation in post-Ayler mode. As a threesome they are perfectly matched both temperamentally and musically. ...
Peter Brotzmann: Mental Shake
by John Sharpe
German saxophone powerhouse Peter Brotzmann favors the trio format to deliver the optimum combination of energy and directness. Over the years he's sought inspiration from many illustrious rhythm teams, from the South African Harry Miller / Louis Moholo axis, through the American Die Like A Dog coupling of William Parker and Hamid Drake, to the Swiss ...
Otomo Yoshihide & Paal Nilssen-Love: Otomo Yoshihide & Paal Nilssen-Love
by Eyal Hareuveni
The musical bond between Japanese guitarist and sound sculptor Otomo Yoshihide and Norwegian powerhouse drummer Paal Nilssen-Love was solidified through previous successful collaborations. First with Nilssen-Love Scandinavian power trio The Thing's Shinjuku Crawl, (Smalltown Superjazz, 2009), then with Peter Brotzmann's Chicago Tentet Concert for Fukushima Wels 2011 DVD, (PanRec, 2013) and finally with an ad-hoc trio ...






