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Results for "Peter Brotzmann"
Riverloam Trio: Live At The Alchemia
by John Sharpe
Recorded at Krakow's legendary jazz club, Live At The Alchemia constitutes the third outing from what has become a perfectly-balanced unit, following the eponymous Riverloam Trio (NoBusiness, 2012) and Inem Gortn (FMR, 2014). Although, traditionally, Polish reedman Mikolaj Trzaska might be seen as the apex of a musical pyramid, supported by the solid foundation provided by ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
Francesco Martinelli: European Jazz - Tales of Etruscan Vases, Arias And Resistance
by Ian Patterson
Few have attempted to tackle the history of European jazz in any meaningful way. That's hardly surprising given the size of the task. How do you address the jazz history of over forty countries in a succinct and logical manner? How do you manage to throw light on all the major personalities at the ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by John Sharpe
The internet. Mobile phones. Social media. The Fall of the Berlin Wall. A lot's happened over the last 50 years. When pianist Alexander von Schlippenbach first assembled the Globe Unity Orchestra in the autumn of 1966, John Coltrane, Miles Davis and Thelonious Monk still walked the earth. The GUO was one of the first expressions of ...
Brighton Alternative Jazz Festival 2018
by John Sharpe
The third Brighton Alternative Jazz Festival took place over six separate days in October, but the undoubted centerpiece was the day long series of concerts held in St. Luke's Church on Saturday 13 October in front of a healthy-sized audience. Adventurous programming embraced a range of styles which taken together gave a well-rounded definition of what ...
Not Two... But Twenty! Festival
by John Sharpe
Not Two...But Twenty! Festival Wlen, Poland September 21-23, 2018 Intro There are some things worth celebrating in style, one of them being marked persistence in the face of adversity. That pretty much describes the continued existence of any jazz record label in these straitened times. To mark its 20th ...
Frode Gjerstad: Bop Stop
by Giuseppe Segala
A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...
Tom Abbs & Frequency Response: Hawthorne
by Karl Ackermann
Bassist and multi-instrumentalist Tom Abbs began his Frequency Response series in 2003 with Conscription (CIMP Records). The group--then a quartet--included tenor saxophonist Brian Settles and drummer Chad Taylor. Alto saxophonist Jason Candler, violinists Jean Cook and Jenna Barvitski are later additions to Frequency Response. On their long-awaited fourth album Hawthorne, Abbs again stands in as a ...
Satoko Fujii: Live at Big Apple in Kobe
by Karl Ackermann
Another new formation marks the eighth entry in the sixtieth-birthday series of monthly releases from Satoko Fujii. As part of the pianist's year long celebration, she has released albums as a solo performer, a duo (with Joe Fonda), a new trio configuration with Fonda and Italian saxophonist Gianni Mimmo and another with Tamura and drummer Takashi ...
Ché-SHIZU: A Journey
by Mark Corroto
If you ever wondered why John Zorn lived in Japan for much of the 1980s, the answer is: for the music. These were the days before eBay and Discogs, when hunting for a recording by Keiji Haino required a trip to Tokyo or Osaka. Zorn, of course, brought much of what he heard back to the ...


