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Satoko Fujii: Triad
by Karl Ackermann
Triad is the fifth of twelve monthly albums to be released as part of pianist-composer Satoko Fujii's extended celebration of her sixtieth birthday. It is also her second album with the legendary American bassist Joe Fonda. Duet (Long Song Records, 2016), recorded live in Portland, Maine in 2015, had brought the pair together at Fonda's request ...
Mars Williams / Tollef Østvang: Painted Pillars
by Mark Corroto
If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...
Vision Festival 2018
by John Sharpe
23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...
Clean Feed 2018
by Mark Corroto
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
Ross Hammond & Jay Nair: Songs Of Universal Peace
by Mark Corroto
If we all practiced a bit if mettā, there would be no war. The Buddha told us this, so did Gandhi, Mother Teresa and John and Alice Coltrane. All these folks realized the practice of mettā--loving kindness, or the wish that all sentient beings be happy and free from suffering--is the path to universal peace. The ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by Mark Corroto
Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...
Tellef Øgrim: LAIV
by Mark Corroto
There are very good reasons not to approach animals in the wild. Chief among them is survival. Sure, all those nature documentaries and children's cartoons show the playful offspring romping in nature's glory. What they fail to reveal is the eviscerated body of the gentle nature photographer who got too close. You might not ...
Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich
by Karl Ackermann
Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...
Rudi Mahall / Alexander von Schlippenbach: So Far
by Mark Corroto
The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
