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15

Article: Album Review

Dawid Lubowicz: Human Fate

Read "Human Fate" reviewed by Ian Patterson


Dawid Lubowicz is not alone in pondering whether we forge our own destiny or whether it is shaped by forces beyond our control. The question has kept philosophers, religions and fortune tellers in steady work for millennia, and it provided the Polish violinist/mandolinist Lubowicz with the inspiration for the music on Human Fate. Whether it was ...

22

Article: Album Review

Mateusz Smoczyński: Adam's Apple

Read "Adam's Apple" reviewed by Ian Patterson


Polish violinist Mateusz Smoczyński has long slipped effortlessly between the worlds of jazz and classical music, flitting between his own small jazz combos and contemporary string ensembles. Albums such as Confetti Man (Azica records, 2014) with The Turtle Island Quartet, Penderecki (Universal Music Poland, 2019) with Atom String Quartet, and the duo albums Speaking Sound (ACT ...

10

Article: Album Review

Atom String Quartet: Penderecki

Read "Penderecki" reviewed by Ian Patterson


Following its stunning interpretation of the music of Polish jazz violinist Zbigniew Seifert on Seifert (Zbigniew Seifert Foundation, 2017), Atom String Quartet turns its attention to the oeuvre of another great of contemporary Polish music--classical composer and conductor Krzysztof Penderecki. Born in 1933, Penderecki's writing encompasses choral works, operas, symphonies, concerti, chamber music, sacred music, and ...

Album

Penderecki

Label: Universal Music Poland
Released: 2019
Track listing: Capriccio for Tuba solo; 3 Miniatures for clarinet e piano: Miniature i allegro; ii andante cantábile; iii allegro ma non troppo; Drei Stücke im alten Stil, ii minuet i; Suite for solo cello, ii serenade; Suite for solo cello, Vii scherzo; Drei Stücke im alten Stil, iii minuet ii; Prelude for solo clarinet Bb; Drei Stücke im alten Stil, I aria.

19

Article: The Big Question

Presenting Problem

Read "Presenting Problem" reviewed by Duncan Heining


Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...


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