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About Paul Quinichette
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Paul Quinichette
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Many men tried, but Paul Quinichette was the most successful at emulating the style of Lester Young. (Young called him "Lady Q", a term not exactly meant at as a compliment.) With a nice smoky tone, Quinichette worked with many great musicians, and played on some of the earliest tribute albums. If he is somewhat forgotten today, it may because the tenor style he followed is currently out of favor. That fact does not lessen his music, some of which is remarkable. Paul Quinichette grew up in Denver and started young with the saxophone, and attended Tennessee State College as a music major
Texas Tenors and the Big Beat
by Marshall Bowden
This article first appeared on All About Jazz in July 2002. Texas is a miniature of the cultural and musical melting pot that is American music. Texas shares a border with Louisiana, inheriting some of that state's French and Caribbean roots, and when it comes to the blues, Texas has its own style. Texas ...
Fuchsthone Orchestra featuring Evi Filippou & UMO Helsinki Jazz Orchestra featuring Jazzmeia Horn at Jazzfest Bonn 2026
by Artur Moral
Fuchsthone Orchestra featuring Evi FilippouUMO Helsinki Jazz Orchestra featuring Jazzmeia HornTelekom Forum Bonn, GermanyMay 9, 2026 Its host city may lack the jazz pedigree of others, but the truth is that, barely fifteen years old, Jazzfest Bonn has carved out a place among its most prestigious German counterparts--those of Moers, ...
Prestige Rara Avis: Kenny Burrell and Frank Wess
by C. Andrew Hovan
Over the past decade, music lovers and jazz collectors have enjoyed a wealth of opportunities thanks to the ongoing vinyl renaissance. Back in the 1980s and '90s, Fantasy Records became a favorite among enthusiasts with its Original Jazz Classics series, reissuing nearly a thousand titles from its vast catalog, which included Prestige, Riverside, and Contemporary. After ...
Paul Quinichette: Like Basie
by C. Andrew Hovan
Like any business concerned with making a profit, the record industry has often resorted to questionable concepts, tributes, or other hooks to lure more costumers to their product. Currently we find ourselves in an era where the quality of original music is arguably on the decline, thus it has become even more prevalent to use nostalgia ...
Weather Report & Hazel Scott
by Joe Dimino
During this era of jazz quarantine, innovation and consistency has been alive for all musicians. One band doing just that is The Greyboy Allstars. They kick off the 677th Episode of Neon Jazz. We also profile a host of 2020 releases from the likes of Walt Wagner and Luques Curtis. Finally, we pay our respects to ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...


