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219

Article: Album Review

Ron Kerber: 'Round in Circles

Read "'Round in Circles" reviewed by Paul Olson


Philadelphia saxman Ron Kerber may be making his debut as a leader on 'Round in Circles , but he shows nothing but a veteran's poise on this collection of nine of his own original compositions. Kerber plays alto, tenor and soprano sax, and he demonstrates his aptitude for all three horns over an incredibly sympatico rhythm ...

83

Article: Album Review

Leslie Burrs: Impressions of Another You

Read "Impressions of Another You" reviewed by Paul Olson


Pennsylvania-based flautist Leslie Burrs' new CD, Impressions of Another You , is a duet session with pianist Kenny Barron; it's Burrs' first release since 2002's Blue Harlem, Black Knight. It certainly does give an impression of another Burrs--a much better one--than did the just-reissued 2002 record, an overcooked studio confection where his playing was often surrounded ...

965

Article: Extended Analysis

Miles Davis: A Tribute to Jack Johnson

Read "Miles Davis: A Tribute to Jack Johnson" reviewed by Paul Olson


Well, here it is, finally: the Miles Davis album A Tribute to Jack Johnson, newly remastered and affordably available to those unwilling or unable to pay for the five-disc Complete Jack Johnson Sessions, which has been available since 2003. That's been Columbia/Legacy's modus operandi for Bitches Brew, In a Silent Way, and now Jack Johnson: put ...

109

Article: Album Review

Jeremy Steig/Vic Juris: Improvised

Read "Improvised" reviewed by Paul Olson


Improvised, the debut duet album from super-veteran flautist Jeremy Steig and almost-as-seasoned guitarist Vic Juris, is just that: an album of almost completely improvised material. Recorded in Steig's home (don't be put off by that, by the way, because home recording has come a long, long way) in a situation where the two musicians played in ...

213

Article: Album Review

Karl Jannuska: Liberating Vines

Read "Liberating Vines" reviewed by Paul Olson


Liberating Vines is both the name of expatriate Canadian (now Paris-based) drummer Karl Jannuska's new CD and of his Montréal group with altoist Brodie West, tenorist Kelly Jefferson, bassist Fraser Hollins, and pianist John Sadowy. The album's compositions and arrangements are all by Jannuska, and the detailed, rigorous post bop performed here makes Liberating Vines the ...

221

Article: Album Review

Rob Schneiderman: Back in Town

Read "Back in Town" reviewed by Paul Olson


Back in Town commemorates veteran pianist Rob Schneiderman's return to New York City after a six-year absence (he was in California getting a Ph.D. in mathematics) and is his first recording since 2001's Edgewise. Recorded in one day in January of 2004, Back in Town is a standards album of exceptional musicianship--Schneiderman's chops are completely unaffected ...

747

Article: Extended Analysis

Eddie Green: Shades of Green

Read "Eddie Green: Shades of Green" reviewed by Paul Olson


Eddie GreenShades of Green Dreambox Media 2004 A perfect farewell... Shades of Green is the final album from Philadelphia pianist Eddie Green, who died in July of 2004. Green was a great songwriter and was very highly esteemed by vocalists for his piano accompaniment, ...

352

Article: Extended Analysis

Pete Zimmer: Common Man

Read "Pete Zimmer: Common Man" reviewed by Paul Olson


Pete Zimmer Quintet Common Man Tippin' Records 2004 A couple of years ago I was talking about music with a friend, and on the subject of jazz he said, dismissively, “nothing new is happening in jazz music. The last real innovation was at least thirty years ago." I didn't even ...

261

Article: Extended Analysis

Joe Sullivan Big Band

Read "Joe Sullivan Big Band" reviewed by Paul Olson


Joe Sullivan Joe Sullivan Big Band Effendi Records 2004 I'll just go ahead and state the obvious: you'd have to be crazy to form a jazz big band. It wasn't always so: in the swing era, of course, that was what people wanted to hear. That's what a jazz band ...

135

Article: Album Review

Fr: Tap Bass

Read "Tap Bass" reviewed by Paul Olson


Jazz, by its very nature, is a sharing act. Any musical format based on group improvisation cannot help but be about sharing and, to some extent, democracy. Tap Bass , journeyman Montreal bassist Frédéric Alarie's sixth album as a leader (and first in five years), takes this spirit of sharing to some interesting lengths--to its benefit. ...


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