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Jakob Bro: Gefion
by Vincenzo Roggero
I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del ...
Avanti o indietro?
by Alberto Bazzurro
La più o meno contigua uscita di reperti d'epoca di Jarrett, Osborne e Soft Machine ci induce a una disamina a largo raggio su cos'era e verso dove si muoveva il jazz, pur inteso in senso lato, nell'epoca in cui tanti ragazzi provenienti dal rock più o meno progressivo vi confluivano a frotte. Cercando anche di ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Owen Howard: Drum Lore Vol. 2 - More Lore
by Vincenzo Roggero
Scritto (cinque brani), diretto, arrangiato (gli altri cinque brani provenienti da batteristi quali Paul Motian, Tony Williams, etc.) da Owen Howard -batterista pure lui -,Drum Lore vol.2 -More Lore è album che presenta un post-bop fresco, frizzante, ben strutturato, a volte piacevolmente articolato, tutt'altro che noioso. Grazie all'apporto di ottimi musicisti tra cui segnaliamo il veterano ...
Chris Potter Underground Orchestra: Imaginary Cities
by Eric J. Iannelli
Writing jazz music, says Chris Potter, is “a bit of a zen exercise." “A lot of what you're thinking about when you're writing is the stuff that's not there. You're thinking about the solos and the way the band is going to play it together--things that can't be notated." For Imaginary Cities, ...
A Fireside Chat With Chris Potter
by AAJ Staff
This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...
Why Everybody Digs Bill Evans
by Mark Sabbatini
Arguably the greatest jazz pianist of the 1960s and '70s, Bill Evans is generally acknowledged as the most influential pianist since Bud Powell and a primary influence on players such as Keith Jarrett and Chick Corea. Evans co-wrote Kind Of Blue with Miles Davis and some consider the pianist's Sunday At The Village Vanguard the best ...
Gefion
by John Kelman
It's been a long time coming. Jakob Bro made his first ECM appearance as a member of drummer Paul Motian's twin-sax/triple-guitar band on the late drummer's Garden of Eden (2006). Three more years passed before he returned, this time as a member of Tomasz Stanko's trans-European quintet on 2009's Dark Eyes--a group that evolved considerably from ...
Matt Pavolka: The Horns Band
by Dave Wayne
I played Matt Pavolka's The Horns Band for a friend who immediately noticed that the very impressive list of acknowledgements contained more nods to literary and intellectual heavyweights such as Jose Saramago, Cormac McCarthy and Soren Kierkegaard than to musicians (the band members and Guillermo Klein). Perhaps Pavolka's intent was to show that he's interested in ...
Jakob Bro: Gefion
by Henning Bolte
Gefion, Danish guitarist Jakob Bro's ECM-debut as leader, is a fascinating reinvention of melodicism. His music leads listeners deep into the rich resonances emerging from brilliantly simple melodic motifs imbued with seductive atmospheres. Like Möbius strips his music's lines wind seemingly endlessly. Its evocative melodic nuclei very often reach the lower limits of dynamics, thereby opening ...
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