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Article: Album Review

The Common Quartet: The Hive

Read "The Hive" reviewed by Dan McClenaghan


The first spin of any particular recording is more often than not a cursory affair, a listening experience done without undivided attention; and The Hive, by the Brooklyn-based Common Quartet, under these conditions, seemed to have a West Coast cool jazz vibe. And saxophonist Seth Trachy brought Paul Desmond, of the Dave Brubeck Quartet, to mind, ...

1

News: Recording

Lena Horne and Gabor Szabo

Lena Horne and Gabor Szabo

There are plenty of jazz albums in the rock era that, on paper, never should have worked but did and still do, exceptionally well. Joe Pass's The Stones Jazz (1966) is one. Paul Desmond's Bridge Over Troubled Water (1970) is another. Add Lena & Gabor (1970) to the list. When the album by vocalist Lena Horne ...

11

Article: Interview

Ron Carter: Detroit Jazz Festival 2016 Artist-In-Residence

Read "Ron Carter: Detroit Jazz Festival 2016 Artist-In-Residence" reviewed by C. Andrew Hovan


As the artist-in-residence for the 37th Annual Detroit Jazz Festival, Ron Carter maintained an active role in both the artistic and educational functions that accompanied this distinguished position, made even more extraordinary by the fact that it was all happening in his hometown. Having teamed with Pat Metheny last year for a stellar duo ...

Article: Lyrics

I 10 CD nel CD-Player di... Marcos Varela

Read "I 10 CD nel CD-Player di... Marcos Varela" reviewed by Vincenzo Roggero


01. Kenny Barron -Book of Intuition (Impulse -2016). Adoro questo disco e questo trio che ho avuto la fortuna di sentire diverse volte dal vivo. Barron è uno dei miei pianisti preferiti sin da quando da giovane lo ascoltavo nei lavori di Stan Getz, nel suo disco Live at Bradley's e in duo con Charlie ...

2

Article: Album Review

Jeremy Danneman: Lost Signals

Read "Lost Signals" reviewed by Mark Corroto


Lost Signals is the third Jeremy Danneman Ropeadope Records release from a series of sessions recorded in the fall of 2013 with bass icon William Parker, percussionist Tim Keiper, and guitarist Anders Nilsson. You might think that after culling tracks for Lady Boom Boom (2015) and Help (2015) from these sessions, that a third release might ...

6

Article: Album Review

The Dave Brubeck Quartet: Time Out

Read "Time Out" reviewed by Sacha O'Grady


Dave Brubeck emerged after the Second World War as a pianist whose eclectic style owed itself to several different schools of piano playing. Throughout the 1950's, Brubeck enjoyed as much commercial success as any jazz musician could have wished for, becoming one of the biggest acts in the business. Famous mostly for his experiments with rhythm, ...

3

Article: Album Review

Kris Allen: Beloved

Read "Beloved" reviewed by Mark Corroto


You have to love how a sommelier might describe a certain wine. It has “a jammy taste with a sweet attack, leather, tobacco, and very muscular with integrated wood." Listening to saxophonist Kris Allen's Beloved reminds us that jazz listeners use similar terms to describe the music they're hearing. Allen's alto saxophone is flavored with hints ...

News: Video / DVD

Mulligan, Brubeck & Desmond

Mulligan, Brubeck & Desmond

Let's stick with baritone saxophonist Gerry Mulligan today. Yesterday, I came across a terrific video of All the Things You Are by the Dave Brubeck Trio in 1971 at the Newport Jazz Festival featuring Mulligan and alto saxophonist Paul Desmond. Of course, Desmond had been a key member of the Dave Brubeck Quartet from the early ...

5

Article: Album Review

Doug Webb: Sets The Standard

Read "Sets The Standard" reviewed by David A. Orthmann


Doug Webb's newly released Sets The Standard is a textbook case of individual resourcefulness and group consonance in the context of songs often associated with the jazz tradition. For the most part, Webb, who plays tenor, stritch, and soprano sax on the record, puts his assertive, hard blowing persona on hold in favor of a somewhat ...

2

Article: Lyrics

Piccola guida al nuovo jazz italiano

Read "Piccola guida al nuovo jazz italiano" reviewed by Luca Canini


Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...


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