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139

Article: Album Review

Various Artists: Jazz For Japan

Read "Jazz For Japan" reviewed by DJ Marc Antomattei


In the wake of the barrage of natural and man-made disasters that struck Japan in early 2011, a large group of fine musicians got together for Jazz For Japan. One of the strongest compilations of the year, all proceeds are being donated to help the victims of this great tragedy. The standards featured ...

199

Article: Album Review

Sean Nowell: Stockholm Swingin'

Read "Stockholm Swingin'" reviewed by Bruce Lindsay


Sean Nowell has lent his talents to a diverse array of bands including Travis Sullivan's Bjorkestra and his own Kung-Fu Masters, working across numerous musical styles. On Stockholm Swingin', the tenor saxophonist's third Posi-Tone release, he stays in recognizably straight-ahead territory, bringing his impressively wide-ranging and imaginative tenor sound to a live quintet recording from the ...

509

Article: Interview

Jeff Lofton: Jazz to the People

Read "Jeff Lofton: Jazz to the People" reviewed by Josep Pedro


Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...

189

Article: Bailey's Bundles

Robert Hurst: Unrehurst Volumes 1 and 2

Read "Robert Hurst: Unrehurst Volumes 1 and 2" reviewed by C. Michael Bailey


The jazz piano trio--piano, bass, and drums, also known as the “rhythm section"--is a fundamental unit in jazz ensembles. It is the motor that drives all combos greater than itself. Which instrument a trio “leader" plays often has a profound effect on the personality and temperament of the music produced. Bass-led trios often bring the bass ...

265

Article: Extended Analysis

The Vinny Golia Octet: Music for Baritone Saxophone

Read "The Vinny Golia Octet: Music for Baritone Saxophone" reviewed by Robert Bush


Vinny Golia OctetMusic For Baritone SaxophoneNine Winds Records2011 Woodwind multi-instrumentalist Vinny Golia has been both the beacon and a touchstone for the West Coast free improvising community, particularly in Los Angeles, for over 30 years. Golia started his Nine Winds label in 1977, as a vehicle for ...

334

Article: Interview

Kyle Eastwood: Movies, Motown & Monterey

Read "Kyle Eastwood: Movies, Motown & Monterey" reviewed by Bruce Lindsay


Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...

130

News: Recording

Chet Baker, Ornette Coleman, Thelonious Monk, Cannonball Adderly Headline Concord Jazz Reissues

Chet Baker, Ornette Coleman, Thelonious Monk, Cannonball Adderly Headline Concord Jazz Reissues

Concord Music Group will release six new titles in the Original Jazz Classics Remasters series on June 14, 2011. Enhanced by 24-bit remastering by Joe Tarantino, generous helpings of bonus tracks (many of them previously unreleased), and new liner notes that provide historical and technical context, the series showcases some of the most pivotal recordings of ...

315

Article: Take Five With...

Take Five With Sal La Rocca

Read "Take Five With Sal La Rocca" reviewed by AAJ Staff


Meet Sal La Rocca: Sal La Rocca discovered jazz in the early '80s, and switched to double-bass, which he intensively explored on his own, taking Paul Chambers as a model. Instrument(s): Doubl-bass, electric bass, guitar. Teachers and/or influences? Paul Chambers, Sam Jones, Charles Mingus, Scott LaFaro. ...

434

Article: Interview

Matt Penman: Down on James Farm

Read "Matt Penman: Down on James Farm" reviewed by R.J. DeLuke


Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...

277

Article: Album Review

Jackie McLean: New Soil

Read "New Soil" reviewed by Greg Simmons


Jackie McLean's New Soil, is not the most acclaimed album in the classic Blue Note catalogue, but this 1959 release deserves more attention that it gets, being supremely well-played, well-written and--within the limitations of its time--well-recorded. This vinyl reissue, remastered from the original tapes by the good folks at Acous-Tech, is part of a series of ...


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