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13

Article: Interview

J.J. Johnson: An Eminent Life in Music

Read "J.J. Johnson: An Eminent Life in Music" reviewed by Victor L. Schermer


This interview with trombonist J.J. Johnson along with Joshua Berrett and Louis G. Bourgois III, authors of his biography, The Musical World of J.J. Johnson (Scarecrow Press) was first published at All About Jazz in November 1999. All About Jazz: Congratulations to Josh and Louis on your new book--and to J.J. for now having ...

1,973

Article: Building a Jazz Library

Bill Evans: Sublime Sideman

Read "Bill Evans: Sublime Sideman" reviewed by Nathan Holaway


We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...

16

Article: My Blue Note Obsession

Paul Chambers: Whims of Chambers – Blue Note 1534

Read "Paul Chambers: Whims of Chambers – Blue Note 1534" reviewed by Marc Davis


At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...

1

News: Recording

Miles on Monday: 56 years of Kind of Blue

Miles on Monday: 56 years of Kind of Blue

It was 56 years ago today that Miles Davis went into Columbia Records' 30th Street Studio in New York City to begin recording Kind of Blue, his best-known work that has been cited variously over the ensuing years as the best-selling, most influential, and greatest jazz album of all time. During that first session on Monday, ...

6

Article: Album Review

Red Garland: Swingin’ on the Korner: Live at Keystone Korner

Read "Swingin’ on the Korner: Live at Keystone Korner" reviewed by C. Michael Bailey


Dismissed as a subpar “cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William “Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...

7

Article: One LP

Joe Lovano: Miles Davis - 'Round About Midnight

Read "Joe Lovano: Miles Davis - 'Round About Midnight" reviewed by William Ellis


Joe Lovano: Birdland, NYC, 21st September 2014 “Well, I would have to say Miles Davis, 'Round About Midnight (Columbia, 1957). I grew up listening to this recording as a kid and the poetic expression -the ensemble playing between John Coltrane and Miles Davis, Red Garland, Paul Chambers and Philly Joe Jones just captured my ...

16

Article: Album Review

Wolfgang Haffner: Kind Of Cool

Read "Kind Of Cool" reviewed by Bruce Lindsay


Drummer Wolfgang Haffner is one of Germany's most respected and experienced jazz musicians: his 30 year career features recordings with Al Cohn, Joe Pass and Till Bronner as well as numerous albums as leader. On Kind Of Cool he's joined by an excellent line-up of European jazzers, including pianist Jan Lundgren and trombonist Nils Landgren: their ...

30

Article: My Blue Note Obsession

Johnny Griffin: A Blowin' Session – Blue Note 1559

Read "Johnny Griffin: A Blowin' Session – Blue Note 1559" reviewed by Marc Davis


Sometimes dumb luck makes all the difference. That's the case with Johnny Griffin's A Blowin' Session. If you're a sax fan, this one's for you--not one, not two, but three red-hot tenors, plus one scorching trumpet, and the legendary Art Blakey smashing the drums behind them. Three tenors? How did that happen? Pure serendipity. ...

10

Article: Interview

Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan

Read "Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan" reviewed by Victor L. Schermer


As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...

3

News: Recording

New Red Garland, After All These Years

New Red Garland, After All These Years

Red Garland, Swingin’ on the Korner: Live At Keystone Korner (Elemental) A new Red Garland album: a nice surprise from a time just after the pianist released himself from self-imposed isolation. Garland made his name as a member of the seminal 1950s Miles Davis Quintet that also included tenor saxophonist John Coltrane, bassist Paul Chambers and ...


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