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John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
AllAboutJazz-New York September 2009 Issue Now Available!
This month, we mourn the passing of the seminal composer George Russell, whose book, Lydian Chromatic Concept of Tonal Organization, was the precursor for a modal approach to jazz and such masterworks as Miles Davis’ Kind of Blue. But for such a pedigree, Russell may not be well-known to some readers. The history of jazz, for ...
Klang: Tea Music
by Troy Collins
Formed in 2006 for a now defunct improvised music series, Klang has since become one of Chicago-based clarinetist James Falzone's primary working groups. An update of the swing era clarinet and vibes combination popularized by Benny Goodman and Lionel Hampton, the quartet (which features vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy) taps into ...
Why George Russell Will Always Live in Time
by Raul d'Gama Rose
A measure of just how underrated a musician he was in his lifetime is reflected in the fact that even three days after he passed on most of the major publications had not even reported his death, much less celebrated his life in the glowing terms that he so richly deserved. Perhaps this was because oddly ...
Steve Kuhn: Life's Backward Glances
by Stuart Broomer
Pianist Steve Kuhn recently explored the beginnings of his musical career on Mostly Coltrane (ECM, 2009). On this three-CD set, ECM commemorates Kuhn's mid-career work with reissues of three LPs recorded between 1974 and 1979. Life's Backward Glances is aptly titled and not just because two of the three albums conclude with Kuhn's song of the ...
Trio 3 + Geri Allen: At This Time
by Nic Jones
The trio of Lake, Workman and Cyrille is, by now, seasoned in the right way. All three players are relative veterans and the depth of their shared musical understanding is obvious in everything they do. This time, Geri Allen's pianist's skill is an amalgam of Paul Bley and Andrew Hill harmonically speaking, though it's only fair ...
Molde Jazz: Day 1, July 13, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Arve Henriksen Cartography / Bugge Wesseltoft Molde Jazz Molde, Norway July 13, 2009 Descending by plane into Molde airport, it's difficult not to be in awe of the geography surrounding ...
Vision Festival 2009: Day 2
by John Sharpe
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 All-Star Collective / Bill Cole's Untempered Ensemble / Sun Ra Arkestra14th Annual Vision Festival Abrons Arts Center New York, New York June 10, 2009 Chapter Index All-Star Collective Bill ...
Steve Kuhn: Shimmering Beauty
by Maxwell Chandler
This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...
Paul Bley: Barrage
by Stuart Broomer
At times circumstance conspires to hide a masterpiece: it may be the artist's lack of reputation; perhaps it doesn't resemble his more typical works or it's just overshadowed by more prominent or better promoted music. Paul Bley's Barrage is such a work. Produced in 1964 when most of the band was unknown, it's a singularly non-lyrical ...
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