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Outtakes 1978
By Cooper-Moore
Label: Hopscotch Records
Released: 2006
Track listing: Emancipation, take 4; Ensemble 1, redo take 9; Trio, take 5; Breakdown, take 10; Duo, take 11; Ensemble 1, take 2; Prayer, take 8; Ensemble 1, take 1; Trio, take 6; Emancipation, take 3; In The Beginning.
Outtakes 1978
By Moore
Label: Hopscotch Records
Released: 2006
Track listing: 01. Emancipation take 4 - 2.22;
02. Ensemble 1 redo take 9 - 8.00;
03. Trio take 5 - 3.34;
04. Breakdown take 10 - 2.43;
05. Duo take 11 - 4.42;
06. Ensemble 1 take 2 - 7.45;
07. Prayer take 8 - 5.00;
08. Ensemble 1 take 1 - 8.44;
09. Trio take 6 - 3.52;
10. Emancipation take 3 - 2.14;
11. In The Beginning - 6.27.
Tutte le composizioni sono di Cooper-Moore
Cooper-Moore: Outtakes 1978
by AAJ Italy Staff
Noto per le collaborazioni con Susie Ibarra e con Assif Tsahar, il multistrumentista e compositore Cooper-Moore è attivo nell'area di New York fin dai primi anni settanta ed ha collaborato con i principali esponenti dell'avanguardia afro-americana. A parte alcune incisioni con David Ware (The Birth of a Being) e con Alan Braufman (Valley of Search) ha ...
Cooper-Moore: Outtakes 1978
by Jeff Stockton
About ten years ago, Cooper-Moore was a bona fide man of mystery. He had a reputation as a formally trained, creatively inspired master improviser who was fluent on just about any instrument he touched (particularly the piano), but he was also in possession of a notoriously maverick heart. It was said he would only perform and ...
Cooper-Moore: Outtakes 1978
by Jerry D'Souza
These outtakes from 1978 conclusively document music as a force with constant appeal. Cooper-Moore is a multi-instrumentalist with many interests and pursuits, the spectrum of his calling seen in the wide range of his music. Improvisation is a key factor in his work, but composition also plays an integral role. Besides, he can grab the ear ...
Cooper-Moore: Outtakes 1978
by Troy Collins
A welcome reissue, Outtakes 1978 finds iconic multi-instrumentalist Cooper-Moore leading a varied set of pieces in the studio. Each track is introduced with its respective title and take number by Gretchen, listed as the recordist for the session; it even sounds like an archival album. Cooper-Moore's infatuation with tribal percussion and gospel-tinged work outs certainly help ...
