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Tim Armacost: Time Being
by Roger Farbey
Tim Armacost may not be the most well-known jazz musician on the planet but he's certainly one of the best. His early life was spent in Tokyo, and Washington, then moving to Los Angeles at the age of 18. He travelled to Amsterdam and India where, in the spirit of The Beatles and John McLaughlin he ...
The PsychoAcoustic Orchestra: Fun with Notes
by Jack Bowers
More than two decades ago, pianist / composer / arranger Patrick Kelly's Cincinnati-based PsychoAcoustic Orchestra recorded two neoteric albums, then quietly disappeared into the fog of time. As it turns out, Kelly explored other options for a while before re-forming the orchestra in 2006. The present incarnation, which has been performing ever since on a more ...
Jazz Musician of the Day: Ornette Coleman
All About Jazz is celebrating Ornette Coleman's birthday today! Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance- Coleman was 29 at the time- but actually, the title was prophetic. Coleman is the creator of a ...
Michaël Attias: Nerve Dance
by Dan Bilawsky
Methodical design, rough-and-tumble play, and thoughtful exchange are often viewed as mutually exclusive concepts in jazz. Saxophonist Michaël Attias' Nerve Dance, however, obliterates that line of thinking and any potential obstacles that could separate those realms. This is a work that's cultured, contumacious, and conversational in nature. It's principled art unbound. Nerve Dance ...
DKV Trio / The Thing: Collider
by John Sharpe
Recorded live at Krakow Jazz Autumn in 2014, Collider unites two of the hardest hitting contemporary outfits in an off the wall summit. It's notable that all the members of the DKV Trio and The Thing, except bassist Ingebrigt Haker Flaten, have a history of working with the Peter Brötzmann Chicago Tentet, the large improvising collective ...
Steve Khan: Backlog
by James Nadal
In what could best be described as an enduring exploration, Steve Khan has undertaken the role of expanding and redefining the role of the guitar in the hybrid genre of Latin Jazz. Backlog continues with the concept established as far back as 2005 on The Green Field (Tone Center), in the transformation of straight-ahead jazz compositions ...
Mahavishnu Orchestra: Apocalypse
by Julian Derry
Well, there's not much to say about the new release of Apocalypse. Well, not as much as many Mahavishnu fans had hoped; rumours of a long awaited and much needed remastering of this legendary album, making the rounds of the mailing lists were alas, premature. So what is this CD? Answer: it's the exact same, level-for-level ...
Rich Halley/Carson Halley: The Wild
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...
Mike Casey: The Sound of Surprise: Live at the Side Door
by Edward Blanco
Making his recording debut with much anticipation, saxophonist Mike Casey delivers an inspiring performance on The Sound of Surprise: Live at the Side Door featuring four re-imagined standards from the likes of John Coltrane, Ornette Coleman, Kurt Weill and Jackie Mclean as well as three originals from the band. A graduate of the University of Hartford, ...
Konstrukt: Molto Bene
by Mark Corroto
Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), ...
