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7

Article: Album Review

Kenji Lee's Fortune Teller Trio: Kyūdō

Read "Kyūdō" reviewed by Troy Dostert


Detroit-based tenor saxophonist Kenji Lee brings a heady concept to his latest release, Kyūdō. Drawing inspiration from the practice of Japanese archery, Lee sees his music as a pathway to spiritual growth, a process in which technical mastery and an abiding aesthetic sensibility are conjoined. Harnessing the sympathetic partnership of his colleagues, bassist Andy Peck and ...

Album

New York Is Now & Love Call Revisited

Label: Ezz-thetics
Released: 2022
Track listing: The Garden of Souls; Toy Dance; We Now Interrupt for a Commercial; Broad Way Blues; Round Trip; Airborne; Love Call; Open to the Public; Check Out Time.

Album

Genesis of Genius: The Contemporary Albums

Label: Contemporary Records
Released: 2022
Track listing: LP1 Something Else!!!!: Invisible; The Blessing; Jayne; Chippie; The Disguise; Angel Voice; Alpha; When Will The Blues Leave?; The Sphinx.

LP2 Tomorrow Is the Question!: Tomorrow Is The Question!; Tears Inside; Mind And Time; Compassion; Giggin'; Rejoicing; Lorraine; Turnaround; Endless.

3

Article: Album Review

Dmitry Baevsky: Kids' Time

Read "Kids' Time" reviewed by David A. Orthmann


Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression ...

Article: Book Review

Pepito - Il Principe del Jazz di Marco Molendini

Read "Pepito - Il Principe del Jazz  di Marco Molendini" reviewed by Angelo Leonardi


Pepito—Il Principe del Jazz Marco Molendini 223 pagine ISBN: # 978-88-3389-371-6 Minimum Fax 2022 «Una notte Walter Chiari me incrocia, me vede pallido come un cadavere e me fa: “Principe, vai a dormire e rimboccati la lapide." Se so' messi tutti a ride». Il principe in ...

10

Article: Reassessing

Momentum Space

Read "Momentum Space" reviewed by Dan McClenaghan


Momentum Space was released in 1999 on Verve Records. Considering the players--saxophonist Dewey Redman, pianist Cecil Taylor and drummer Elvin Jones--the album didn't make much of a splash. Reviews were mixed, leaning toward the dismissive. Taylor was 70 at the time. Jones was in his early 70s and saxman Redman was in his late ...

234

Article: Interview

Joe Lovano: Cleveland's Ultimate Jazz Titan

Read "Joe Lovano: Cleveland's Ultimate Jazz Titan" reviewed by Matthew Alec


Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...

6

Article: Album Review

Emma Salokoski with Ilmiliekki: Joulu Joulu Jul

Read "Joulu Joulu Jul" reviewed by Anthony Shaw


If you are looking for a novel way of approaching the December 2022 festive season, musically speaking, and are not deterred by a mixture of Nordic languages, then this album may appeal. The songs are sung in Swedish and Finnish, and without any accompanying lyric sheet an English speaker might do well to search for lyrics ...

10

Article: Album Review

Avram Fefer Quartet: Juba Lee

Read "Juba Lee" reviewed by Mark Corroto


Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically ...

34

Article: Album Review

Ted Kooshian: Hubub!

Read "Hubub!" reviewed by Jack Bowers


There are two ways of looking at Hubub!, pianist Ted Kooshian's fifth album as leader. The first is, “nothing new here"; and the second, “everything is new here." On the one hand, Kooshian's able quintet hews closely to the post-bop canon which has given rise to its fabric; on the other, they do so within the ...


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