Home » Search Center » Results: Ornette Coleman
Results for "Ornette Coleman"
Choose Joy
by John Chacona
What should music sound like as the world emerges from the musical Ice Age of the pandemic years? An elegiac tone is an inevitable and perhaps necessary acknowledgment of the desolation of those years. Equally valid is an expression of joy and gratitude for the transformative power of music to heal and uplift. In their own ...
Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live
by Chris May
Ola Kvernberg's Steamdown (Grappa) was perhaps the most sensationally visceral album to come our way during 2018. Part future-jazz, part EDM, part avant-rock, part contemporary-classical and 100% wrap-around shamanistic. It was Kvernberg's follow-up to The Mechanical Fair (Jazzland, 2014), which is here in an extensively recalibrated version recorded live at the Molde International Jazz Festival in ...
The Blue Note Label
by Jerome Wilson
This show, from July 2021, covers two hours worth of the extensive legacy of the Blue Note record label, examining some of the label's rich past as well as its present. The program goes all the way from Lee Morgan and Bud Powell to Joel Ross and Ambrose Akinmusire. Playlist Henry Threadgill Sextett “I ...
ECM Records Touchstones: Part 3
by Dan McClenaghan
Part 1 | Part 2 | Part 3 This third edition of “ECM Touchstones" explores more of the label's early recordings, repackaged and offered up as a way to present music that had perhaps slipped through time's cracks, into the hard-to-find category. Of these, four were re-released in 2019, one in 2008--24 to 47 ...
Adam Berenson: Songs from the Garret
by Karl Ackermann
Adam Berenson's Songs from the Garret is a two-CD solo collection but the essence of other composers prowl in the shadows. The lofty album title pays tribute to particular compositions from Steve Swallow, Carla Bley, Michael Gibbs, Chick Corea and a host of others. Berenson, a well-versed composer/keyboardist, takes the unusual approach (for him) of focusing ...
Origin Story At Scott's Jazz Club
by Ian Patterson
Origin Story Scott's Jazz Club Belfast, N. Ireland January 20, 2023 It is a fairly quick jaunt up the motorway from Dublin to Belfast these days and jazz musicians from The Dub are making the journey more frequently than was once the case. Part of the problem was always the ...
January 2023
by Pat Youngspiel
Masaki Hayashi Group Blur The Border S/N Alliance 2023 In contrast to its sister-label Nagalu Records, Shinya Fukumori's S/N alliance is devoted to music and musicians outside of Japan, bringing idioms from classical music and improvised streams under one roof, to be shared across borders. And pianist Masaki Hayashi's ...
Steve Khan: Patchwork
by Rafael Vega Curry
Few artists have been as successful as Steve Khan in achieving a genuine blend of jazz and Latin sensibilities, rhythms and sonorities. In fact, it can be suggested that no one else has done what he has accomplished for the jazz guitar, offering both the extensions of what Wes Montgomery, Kenny Burrell and Grant Green did ...
Criss Cross Records: The Healing Power Of Authenticity
by Chris May
When the founder of the Netherlands-based Criss Cross Jazz label, Gerry Teekens, passed away in 2019, there was an odds-on chance that Criss Cross would leave town with him. That is often the fate, in such circumstances, of organisations led by a singular visionary and defined by their personal aesthetic. The loss of the label would ...
Wasteland Jazz Ensemble: S/T
by Mark Corroto
Some releases should come with a warning label. We are not talking about Tipper Gore (remember her?) Parents' Music Resource Center (PMRC) stickers warning of the dangers of ”Raising PG Kids in an X-Rated Society" of the late 1980s. No, the alert that should be attached to S/T by the Wasteland Jazz Ensemble might read something ...
