Home » Search Center » Results: Ornette Coleman
Results for "Ornette Coleman"
ECM Records Touchstones: Part 3
by Dan McClenaghan
Part 1 | Part 2 | Part 3 This third edition of “ECM Touchstones" explores more of the label's early recordings, repackaged and offered up as a way to present music that had perhaps slipped through time's cracks, into the hard-to-find category. Of these, four were re-released in 2019, one in 2008--24 to 47 ...
Adam Berenson: Songs from the Garret
by Karl Ackermann
Adam Berenson's Songs from the Garret is a two-CD solo collection but the essence of other composers prowl in the shadows. The lofty album title pays tribute to particular compositions from Steve Swallow, Carla Bley, Michael Gibbs, Chick Corea and a host of others. Berenson, a well-versed composer/keyboardist, takes the unusual approach (for him) of focusing ...
Origin Story At Scott's Jazz Club
by Ian Patterson
Origin Story Scott's Jazz Club Belfast, N. Ireland January 20, 2023 It is a fairly quick jaunt up the motorway from Dublin to Belfast these days and jazz musicians from The Dub are making the journey more frequently than was once the case. Part of the problem was always the ...
January 2023
by Pat Youngspiel
Masaki Hayashi Group Blur The Border S/N Alliance 2023 In contrast to its sister-label Nagalu Records, Shinya Fukumori's S/N alliance is devoted to music and musicians outside of Japan, bringing idioms from classical music and improvised streams under one roof, to be shared across borders. And pianist Masaki Hayashi's ...
Steve Khan: Patchwork
by Rafael Vega Curry
Few artists have been as successful as Steve Khan in achieving a genuine blend of jazz and Latin sensibilities, rhythms and sonorities. In fact, it can be suggested that no one else has done what he has accomplished for the jazz guitar, offering both the extensions of what Wes Montgomery, Kenny Burrell and Grant Green did ...
Criss Cross Records: The Healing Power Of Authenticity
by Chris May
When the founder of the Netherlands-based Criss Cross Jazz label, Gerry Teekens, passed away in 2019, there was an odds-on chance that Criss Cross would leave town with him. That is often the fate, in such circumstances, of organisations led by a singular visionary and defined by their personal aesthetic. The loss of the label would ...
Wasteland Jazz Ensemble: S/T
by Mark Corroto
Some releases should come with a warning label. We are not talking about Tipper Gore (remember her?) Parents' Music Resource Center (PMRC) stickers warning of the dangers of ”Raising PG Kids in an X-Rated Society" of the late 1980s. No, the alert that should be attached to S/T by the Wasteland Jazz Ensemble might read something ...
More Jazz From 2022
by Jerome Wilson
The year 2022 produced a bumper crop of worthwhile jazz recordings, so many it was impossible to give all of them their due in a timely fashion. Here are belated appreciations of six titles that deserve praise. Doug Wamble Blues In The Present Tense Halcyonic Records 2022 ...
Phil Ranelin & Wendell Harrison: Jazz Is Dead 16
by Chris May
There is much to love about Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label and an equal amount to hate. The production duo's declared mission is “to foreground legends from the past" and “to highlight their contributions" to popular music in general and jazz in particular. Admirable. Spread the love. Trouble is, the results ...
Andrew Neil Hayes: Tenor Badness
by Chris May
Something big and wild and loud was stirring on the alternative British jazz scene around 2015, 2016. In London, high-voltage tenor sax and drums duo Binker and Moses made their debut album, as did jazz-rock power trio The Comet Is Coming. Meanwhile, in the west of the country, in the port city of Bristol, tenor saxophonist ...
