Home » Search Center » Results: Original Dixieland Jazz Band

Results for "Original Dixieland Jazz Band"

Advanced search options

Results for pages tagged "Original Dixieland Jazz Band"...

Musician

Original Dixieland Jazz Band

Original Dixieland Jass Band (ODJB) was a New Orleans band that made the first jazz recording in 1917. The group made the first recordings of many jazz standards, probably the most famous being "Tiger Rag." In late 1917 it changed the name's spelling to "Jazz." The band consisted of five white musicians who had previously played in the Papa Jack Laine bands, a diverse and racially integrated collection of musicians who played for parades, dances, and advertising in New Orleans. The Original Dixieland Jazz Band, who billed themselves "The Creators of Jazz", have long been been dismissed as the White guys who copied African- American music, and called it their own

6

Article: Radio & Podcasts

The Songbooks (1950 - 1959)

Read "The Songbooks (1950 - 1959)" reviewed by Russell Perry


Songs from what came to be known as the Great American Songbook, have been part of jazz perhaps since The Original Dixieland Jazz Band began recording Irving Berlin compositions. In the 1940s, singer Lee Wiley recorded several collections of 78s, known as “albums"--a name that stuck into the LP era, focused on the work of individual ...

7

Article: Radio & Podcasts

Jazz Comes to Records (1917)

Read "Jazz Comes to Records (1917)" reviewed by Russell Perry


This is the first in a series of programs that will play representative music from 100 years of jazz history. We will explore the broad sweep of that narrative; its representative and its idiosyncratic players; its durable movements and dead ends; its popular recordings and rarities. We hope you will join us over the next 100 ...

42

Article: Under the Radar

Blue Highways and Sweet Music: The Territory Bands, Part I

Read "Blue Highways and Sweet Music: The Territory Bands, Part I" reviewed by Karl Ackermann


Part 1 | Part 2 OriginsBy the second half of the 1920s, New York had supplanted jny: Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons ...

News: Radio

Jim Cullum Jazz Band Live From Stanford This Week On Riverwalk Jazz

Jim Cullum Jazz Band Live From Stanford This Week On Riverwalk Jazz

This week on Riverwalk Jazz, The Jim Cullum Jazz Band presents a collection of early jazz classics from New Orleans and beyond. It's a summer concert captured live at the Stanford Jazz Workshop with Evan Christopher on clarinet. The Jim Cullum Jazz Band brings a fresh approach to its classic repertoire. The program is distributed in ...

News: Radio

Jim Cullum Jazz Band At Stanford Jazz Workshop This Week On Riverwalk Jazz

Jim Cullum Jazz Band At Stanford Jazz Workshop This Week On Riverwalk Jazz

This week on Riverwalk Jazz, The Jim Cullum Jazz Band presents a collection of early jazz classics from New Orleans and beyond. It's a summer concert captured live at the Stanford Jazz Workshop with Evan Christopher on clarinet. The Jim Cullum Jazz Band brings a fresh approach to its classic repertoire in nightly performances in San ...

160

News: Radio

Rare Gems of Bix Beiderbecke on Riverwalk Jazz This Week

Rare Gems of Bix Beiderbecke on Riverwalk Jazz This Week

On public radio this week, Riverwalk Jazz explores cornetist Bix Beiderbecke's gift for music and his place in jazz history. One of the first major soloists to emerge in jazz, Beiderbecke is considered by many to be the first to start playing and recording ballads in a jazz context. Jazz historian, bandleader and bass saxophonist Vince ...

845

Article: Record Label Profile

Jazz Oracle: Portal to Antiquity

Read "Jazz Oracle: Portal to Antiquity" reviewed by Nathan Holaway


“Life would be no better than candlelight tinsel and daylight rubbish if our spirits were not touched by what has been."--George Eliot The world will never be able to hear exactly how Beethoven or Bach played their instruments, but it can hear how artists such as clarinetist Wilbur Sweatman and clarinetist and ...

1,002

Article: Old, New, Borrowed and Blue

Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)

Read "Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)" reviewed by Dan Bilawsky


I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...

Album

In London 1919-1920

Label: Big Pink
Released: 2001


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.