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401

Article: Nordic Sounds

Haarla, Krokfors & Paivinen: Intimate Intensity

Read "Haarla, Krokfors & Paivinen:  Intimate Intensity" reviewed by Matthew Wuethrich


The Finnish composer and drummer Edward Vesala once said, “If you want to make music, do it with 100% conviction or don't bother at all." As a musical setting, duets are a dangerous space: they can clearly show if a musician does not have 100% conviction, for they leave improvisers naked, both technically and emotionally. Such ...

160

Article: Nordic Sounds

Delirium in Concert: Dialoguing with the Ages

Read "Delirium in Concert:  Dialoguing with the Ages" reviewed by Matthew Wuethrich


Jazz Bar February 19, 2004 Jyväskylä, Finland Musicians constantly dialogue with two entities: themselves and tradition. Music is rarely ever totally new, but builds on what has come before, adding extensions and responses. As the world of recorded sound grows exponentially, so grows the dialogue’s number of participants. The Finnish-Danish quartet Delirium ...

248

Article: Nordic Sounds

Composed Spontaneity: The Music of Kari Ikonen, Mikko Innanen and Esa Onttonen

Read "Composed Spontaneity: The Music of Kari Ikonen, Mikko Innanen and Esa Onttonen" reviewed by Matthew Wuethrich


“Music is music. You can't put it into state borders." -- Mikko Innanen Saxophonist and composer Mikko Innanen has a story that should make listeners think twice about reading too much into a performer's nationality. A Danish critic titled a recent review of an Innanen concert “Tales from Finland" and singled out his ...

273

Article: Nordic Sounds

Juhani Aaltonen Trio

Read "Juhani Aaltonen Trio" reviewed by Matthew Wuethrich


Jazz Bar Jyväskylä, Finland October 16, 2002 The trio has always represented a certain spaciousness and abstraction in jazz: freedom of movement and promise of interaction. Playing to a full house in the newest incarnation of Jyvaskyla's Jazz Bar-after 10 years already an institution in Finland- saxophonist/flutist Juhani Aaltonen, an almost 40-year ...

132

Article: Nordic Sounds

Karikko: Variations on a Theme

Read "Karikko:  Variations on a Theme" reviewed by Matthew Wuethrich


Siltasali Jyväskylä, Finland November 14, 2003 Ever since bebop and its progeny hard bop, jazz compositions have been vehicles built for soloing. Composers have written relatively simple unison melodies based on some kind of chord progression, both complex and simple. With some notable exceptions, in jazz compositions form (the melody/song structure) has ...

212

Article: Nordic Sounds

Tampere Jazz Happening 2003: Speaking a Universal Language

Read "Tampere Jazz Happening 2003: Speaking a Universal Language" reviewed by Matthew Wuethrich


On a Saturday afternoon a group of music journalists gather at the 22nd Tampere Jazz Happening to debate “the changing face of jazz,” a lofty title for an unwieldy subject. JazzTimes writer Stuart Nicholson makes the opening remarks, summing up jazz’s history as one of “appropriation” then declares that Europe and Asia, not America, is where ...

285

Article: Nordic Sounds

Wibutee in Tampere: Club Music and Jazz Collide

Read "Wibutee in Tampere:  Club Music and Jazz Collide" reviewed by Matthew Wuethrich


Old Customs Hall Tampere, Finland October 31, 2003 ”This is the way the world ends/This is the way the world ends/This is the way the world ends/ not with a bang but a whimper.” T.S. Eliot’s words run through my head as the Norwegian quintet Wibutee, the opening act of the Tampere ...

207

Article: Nordic Sounds

The Bad Plus in Tampere: Cinematic Trio Images

Read "The Bad Plus in Tampere:  Cinematic Trio Images" reviewed by Matthew Wuethrich


Old Customs Hall Tampere, Finland October 31, 2003 There are many ways to reach an audience, and The Bad Plus has certainly tapped into a host of them. The press has given too much attention to their deconstructions of such pop classics as “Smells like Teen Spirit” and “Heart of ...

250

Article: Nordic Sounds

The Electrics in Tampere: All-Acoustic Electricity

Read "The Electrics in Tampere:  All-Acoustic Electricity" reviewed by Matthew Wuethrich


Old Customs Hall Tampere, Finland November 1, 2003 An all-acoustic group called The Electrics-what’s up? As saxophonist Strure Ericson explains it the name comes from a feeling the quartet once got while playing. German trumpeter Axel Dorner compared the group’s interaction to standing next to an electrical transformer-the almost palpable ...

217

Article: Nordic Sounds

Kornstad Trio in Tampere: Improvisation as Negotiation

Read "Kornstad Trio in Tampere:  Improvisation as Negotiation" reviewed by Matthew Wuethrich


Old Customs Hall Tampere, Finland November 1, 2003 Improvisation can be seen as a negotiation, a constant give and take of ideas, accepting some and rejecting others, eyes always looking forward from the moment. The young Norwegian Kornstad Trio conducts such a negotiation during the second day of the Tampere Jazz Happening. ...


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