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13

Article: Album Review

Kalaparusha Maurice McIntyre: Live From Studio Rivbea

Read "Live From Studio Rivbea" reviewed by John Sharpe


Kalaparusha Maurice McIntyre is in some ways the forgotten man of Chicago's pioneering Association for the Advancement of Creative Musicians (AACM). He appears on two of the first albums to come out of the collective: Roscoe Mitchell's Sound (Delmark, 1966) and Muhal Richard Abrams' Levels And Degrees Of Light (Delmark, 1968); and was the leader of ...

8

Article: Album Review

Kim Dae Hwan / Choi Sun Bae: Korean Fantasy

Read "Korean Fantasy" reviewed by John Sharpe


Korean Fantasy offers another fascinating insight into how free improvisation and jazz have flourished across the globe. This 1999 live date brings together percussionist Kim Dae Hwan and trumpeter Choi Sun Bae, two of the few practitioners in the East Asian country active on the adventurous scene at this time, although it was recorded in nearby ...

67

Article: Album Review

Albert Beger / Ziv Taubenfeld / Shay Hazan / Hamid Drake: Cosmic Waves

Read "Cosmic Waves" reviewed by Glenn Astarita


Cosmic Wave is a stellar collaboration between tenor saxophonist Albert Beger, bass clarinetist Ziv Taubenfeld, bassist Shay Hazan and drummer Hamid Drake. The quartet, drawing from their diverse backgrounds and rich musical experiences, delivers an album that merges free jazz, avant-garde and spiritual music into a charismatic sonic journey. With roots spanning Israel and the United ...

13

Article: Album Review

Peter Brötzmann / Toshinori Kondo / Sabu Toyozumi: Complete Link

Read "Complete Link" reviewed by Mark Corroto


As the liner notes to Complete Link by Yoshiaki Kinno state, “In the 1960s, each of them [saxophonist Peter Brötzmann, trumpeter Toshinori Kondo and drummer Sabu Toyozumi] was inspired by free jazz, practiced it themselves and met each other in the process of overcoming free jazz." That is indeed a bold statement. Did he mean to ...

5

Article: Album Review

Derek Bailey, Sabu Toyozumi: Breath Awareness

Read "Breath Awareness" reviewed by Mark Corroto


Guitarist Derek Bailey never compromised his approach to music, but was he influenced and his sound affected by set, setting, and playing partners? Those new to Bailey's working method may posit his approach was inflexible and unaccommodating, while long-time listeners can identify how a playing partner can affect the guitarist's sound. With the force ...

5

Article: Album Review

Peter Brötzmann / Sabu Toyozumi: Triangle - Live At OHM 1987

Read "Triangle - Live At OHM 1987" reviewed by John Sharpe


Free improvisers must be some of the world's most readily connected collaborators. They can strike up an instantaneous dialogue without the need for rehearsal or even a common language. Of course they might not always hit paydirt, but that uncertainty is part of the attraction. However, German reedman Peter Brötzmann, who was a regular visitor to ...

16

Article: Album Review

Kim Dae Hwan / Choi Sun Bae: Korean Fantasy

Read "Korean Fantasy" reviewed by Glenn Astarita


Korean Fantasy by Kim Dae Hwan (drums) and Choi Sun Bae (trumpet, harmonica) captures the ethereal essence of a live performance on November 26, 1999, at Aspirante, Hofu City, in Yamaguchi, Japan. This record stands as testament to the label's commitment to presenting a blend of avant-garde jazz and improvisation, and unearthing gems from the archives ...

7

Article: Album Review

Roy Campbell: Visitation Of Spirits

Read "Visitation Of Spirits" reviewed by John Sharpe


A former stalwart of the New York avant jazz scene, which finds expression at the annual Vision Festival, trumpeter Roy Campbell died in January 2014, aged 61. While not quite forgotten, his name does not spring readily to the lips a decade on. Perhaps Visitation Of Spirits, an archival live recording from 1985, will help redress ...

9

Article: Album Review

Barry Altschul, David Izenson, Perry Robinson: Stop Time: Live At Prince Street, 1978

Read "Stop Time:  Live At Prince Street, 1978" reviewed by John Sharpe


If at all familiar to modern day listeners, David Izenzon's name is most likely to ring a bell for his bass wizardry on Ornette Coleman's two-volume At The Golden Circle Stockholm (Blue Note, 1965). But the archive recording Stop Time is a reminder of just what listeners are missing. Izenson remained active well after his sojourn ...

Album

The Quietly Clouds And A Wild Crane

Label: NoBusiness Records
Released: 2023
Track listing: Lovely Silver 6.000 km; Shoulder Blade and Hip Joint.


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