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Jon Cowherd: Mercy
by Ian Patterson
Pianist/keyboard player Jon Cowherd is best known for his association with drummer Brian Blade's Fellowship--a group he co-founded in 1998--but as a producer and arranger too, there are clearly other strings to his bow. Cowherd's keyboard collaborations with jazz, country and rock artists including singers Cassandra Wilson, Rosanne Cash and Iggy Pop, point to his versatility, ...
Harry Allen and the Physics of the Tenor Saxophone
by Nick Catalano
In Robert Altman's most underappreciated film Kansas City there is a memorable scene for music fans. In the 1930's at the Hey Hey club (one of the town's hotter venues) some of the more notable K.C. folk (politicians, society matrons, wealthy denizens) are having a good time. Everyone in town recognizes these eminent figures but ignores ...
Steven Lugerner: For We Have Heard
by John Sharpe
In something of a departure for the Lithuanian No Business label, young San Francisco-born, NYC-based reedman Steven Lugerner presents a LP of his thoughtfully arranged charts. To breathe life into the notation, Lugerner has assembled a talented crew, which he carefully deploys in varying combinations across the ten cuts. Not only that but he also overdubs ...
Rich Thompson: Less is More
by Hrayr Attarian
Drummer and educator Rich Thompson's third release as a leader Less is More, on the Seattle based Origin records, is a suave mix of quintessential hard bop standards; show tunes and a couple of originals that is full of delightful group dynamics and individual virtuosity. Thompson leads his quartet with a relaxed confidence and impeccable dexterity ...
Tim Berne's Snakeoil: Shadow Man
by Glenn Astarita
Alto saxophonist Tim Berne's Snakeoil is a group that bonds asymmetrical contours into the big picture, where many progressive jazz aficionados often expect the unexpected from this artist who radiates an antithesis to conventional norms. More of the gradual ascensions, tricky time signatures, fractured flows and odd-metered unison choruses come into play on Shadow Man. Berne's ...
Brian Landrus: The Low End Theory
by Daniel Lehner
Specialists don't usually have the luxury of controlling much of their destiny. For a low woodwind expert like Brian Landrus, it would be of little surprise to anyone to find that, though he'd have the freedom to experiment with sounds and timbres for his own records, he would be little more than a hired gun for ...
Jake Hertzog: Throwback
by Glenn Astarita
With his fourth solo venture, nascent New York-based guitarist Jake Hertzog beckons the services of celebrated jazz trumpeter, Randy Brecker. His conspicuous synergy with longtime associates, bassist Harvie S and drummer Victor Jones is true to form on a set that highlights an uncanny blend of harmonically appealing content and edgy jazz-fusion extravaganzas, heightened by Hertzog's ...
David Buchbinder & Odessa/Havana featuring Hilario Duran: Walk To The Sea
by Glenn Astarita
Walk To The Sea is award-winning trumpeter David Buchbinder's sophomore album with the Odessa/Havana band, featuring Grammy-nominated pianist and musical director Hilario Duran. It's a spot-on world music venture that stylizes indigenous concepts and applications from Spain, amid Jewish folk, Arabic and Afro-Cuban structural components, woven into a majestic concoction of radiant jazz-centric fare. With triumphant ...
Usdan Center Holds December 8th Open House For 2014 Season
Usdan Center for the Creative and Performing Arts, the nationally acclaimed summer arts day camp, whose alumni include jazz star Jane Monheit, will hold the next of its Open Houses for the 2014 season on Sunday, December 8 from 11AM to 2PM. In addition to the Center's frequent Open House dates, Usdan also offers individual weekend ...
Celebrate Thanksgiving Week With The Maria Schneider Orchestra 11/26 - 12/1
JAZZ STANDARD's Annual Thanksgiving Week Celebration Maria Schneider Orchestra 11/26 - 12/1 (closed 11/28) 7:30PM + 9:30PM Additional 11:30PM Set (Fri + Sat) Tickets available now! “There is nothing like hearing her orchestra at the Jazz Standard...it has become one of those things: an Annual Event." —New York ...
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