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Taylor Ho Bynum Sextet: Apparent Distance
by Mark Corroto
It is nearly impossible to stand far enough away from Taylor Ho Bynum's four-part suite, Apparent Distance, to take the entire piece in. It is both a thoroughly composed and an improvisational undertaking that swings as a conventional jazz sextet but challenges like a multi-directional chamber ensemble. Like Bynum himself, the music is not easily pigeonholed.
Thomas Heberer's Clarino: Klippe One
by John Sharpe
German born/New York-based trumpeter Thomas Heberer reveals dual facets of his personality on Klippe One--a 300-set limited edition double-LP. Although part of the Dutch Instant Composers Pool since 1990, and lately part of veteran multi-instrumentalist Karl Berger's Workshop Orchestra, Heberer here goes to the opposite extremes, with the first disc (Klippe) featuring his current trio and ...
October 5th thru 8th, the Tri-Centric Foundation presents a 4-day festival "Energies, Ideas, Intuitions: The Tri-Centric Music of Anthony Braxton" at Roulette's new venue
This is the most comprehensive portrait of Anthony Braxton ever presented in the United States, with Braxton himself performing or conducting every night, leading a total of 60+ musicians. There will be world and U.S. premieres every evening. Prior to the event, we have released a FREE special sampler CD of Braxton's works, spanning over 3 ...
Harris Eisenstadt: Canada Day II
by John Sharpe
Are life events audible in music? They would certainly seem to be in the case of Canadian drummer/composer Harris Eisenstadt. Half the tracks on Canada Day II were composed around the time of his son's birth. One track is dedicated to his youngster, and the genesis of two others was related to public schools, so Eisenstadt ...
Nate Wooley / Scott R. Looney / Damon Smith / Weasel Walter - Scowl (Ugexplode, 2011) ****a1/2
By Paul Acquaro I wonder what would make music like 'Scowl' of interest to the 'lay' listener? I suppose this is a question that has been asked in varying ways many times before, and no doubt will continue to be asked as members enter and (dare I say?) leave the fold of avant-garde jazz. I don't ...
Undead Jazz Festival: Day 1, June 23, 2011
by Daniel Lehner
Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz FestivalNew York, New YorkJune 23-26, 2011 If 2010's Undead Jazz Festival were the first installment in a series of zombie films, then the first day of the 2011 season was a sequel picking up where ...
Nate Wooley Keeps On Getting Better: "(Put Your) Hands Together"
With Nate Wooley, and with his latest quintet album (Put Your) Hands Together (Clean Feed CF218CD), there is plenty to suggest that growth is a factor. Nate as an artist, trumpet-composer-bandleader, does not stand still. It's a very balanced album with a band that provides the freewheeling solo work you would expect from Nate's outfit, yet ...
Nate Wooley - Trumpet/Amplifier (Smeraldina-Rima 2011) *****
By Joe Higham This is one of the strangest records I've listened to in a while, and yet it's also an easy record to give 5 stars to simply because what you hear on this record defies any expectations of what a solo trumpet record, even with an amplifier, would or should sound like. It's this ...
Nate Wooley Quintet: (Put Your) Hands Together
by Glenn Astarita
(Put Your) Hands Together's cover art features a photo of trumpeter Nate Wooley putting his hands together, perhaps as a token of appreciation for his quintet's exemplary performance. Praise is in order because of the program's captivating synchronicity, artfully scaling between structure and improvisation to complement an abundance of polytonal facets. With penetrating compositions and thoughtful ...
Harris Eisenstadt: Canada Day II
by Jerry D'Souza
When drummer Harris Eisenstadt debuted a new band on Canada Day 2007, he quite simply called it “Canada Day." Since then, Eisenstadt has nurtured the band through an open concept. He lets the musicians find their own voices, as they navigate his compositions and find a cohesive stream of tributaries that blend into one cohesive flow.
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