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Liquid Trio: Marianne
by Mark Corroto
The free jazz of the Liquid Trio might best be described as quicksilver, a sort of liquified metal. In the context of music making, their ability to move and change shape instantly makes them difficult to contain. Marianne, the follow up to Primer Dia i Última Nit (Sirulita, 2013), is the second album released by this ...
Dave Rempis/Joshua Abrams/Avreeayl Ra + Jim Baker: Perihelion
by Mark Corroto
These days, it's a luxury to have a working jazz band. It's funny to think in those terms, isn't it? Sure, that was a nice record, you think. But modern musicians, particularly jazz musician often play in multiple ensembles, in theatre productions, teach music lessons privately, and curate local music series. These things are often accomplished ...
Songlines: An Independent Voice for New Music
by Mark Werlin
The independent Vancouver-based record label Songlines Recordings was established in 1992. Inspired by the contemporary jazz music scene in Vancouver, label founder Tony Reif began recording Canadian, American, Dutch, German and French composer-performers. Over the next two decades, the core group of musicians who recorded frequently for Songlines included Benoît Delbecq, Harris Eisenstadt, Gordon Grdina, Wayne ...
Nate Wooley Makes America Great Again
by Mark Corroto
In his excellent book of literary and cultural criticism, The Grey Album: On the Blackness of Blackness, Kevin Young describes the term Jazz as both a noun and a verb. He further explains that jazz from the time of its origins through, let's say the 1980s, was a word used to describe action. Such as the ...
Noah Preminger: Dark Was The Night, Cold Was The Ground
by Mark Corroto
Saxophonist Noah Preminger got this backwards. His latest release, Dark Was The Night, Cold Was The Ground should have preceded the 2015 recording Pivot: Live At The 55 Bar. Same quartet of trumpeter Jason Palmer, bassist Kim Cass, and drummer Ian Froman. Same theme, the Delta Blues. The reverse order observation is a historical one. Where ...
Twenty One 4Tet: Live At Zaal 100
by Mark Corroto
I'm assuming that the Twenty One 4Tet recording Live At Zaal was conceived as a one-off deal, with Portuguese trumpeter Luís Vicente visiting Amsterdam-based players John Dikeman, Wilbert De Joode and Onno Govaert. This concert, from September 2015, finds Vicente combining his impressive craftsmanship with three like-minded players. Then again, it might be just ...
Big Ears Festival 2016
by Mark Sullivan
Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...
Nate Wooley: (Dance to) the Early Music
by Luca Canini
Marzo di due anni fa. Nate Wooley e il suo quintetto sul palco dell'Auditorium di Piazza della Libertà, ospiti (assai graditi) di Bergamo Jazz. Ultimi scampoli di concerto, tempo di bis: Wooley posa la tromba e annuncia: «Prima di salutarvi eseguiremo un paio di composizioni di Wynton Marsalis». Incredulità in sala. «Che ha detto? Marsalis?», chiede ...
Battle Pieces
By Nate Wooley
Label: Relative Pitch Records
Released: 2015
Track listing: Battle Pieces I; Tape deconstruction I; Battle Pieces II; Tape deconstruction II; Battle
Pieces III; Tape deconstruction III; Battle Pieces IV.
Harris Eisenstadt: Canada Day IV
by Vincenzo Roggero
Giunto al quarto capitolo della serie, il quintetto del batterista /compositore Harris Eisenstadt denominato Canada Day si conferma formazione di assoluto valore, forte di un sound personale e ben definito, dotato di grande pulizia e precisione, dalla chiara progettualità. Ci tornano alla memoria certi combo degli anni cinquanta orbitanti nella galassia del cosiddetto “Cool Jazz," da ...
