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Noah Preminger: Dark Was The Night, Cold Was The Ground
by Mark Corroto
Saxophonist Noah Preminger got this backwards. His latest release, Dark Was The Night, Cold Was The Ground should have preceded the 2015 recording Pivot: Live At The 55 Bar. Same quartet of trumpeter Jason Palmer, bassist Kim Cass, and drummer Ian Froman. Same theme, the Delta Blues. The reverse order observation is a historical one. Where ...
Twenty One 4Tet: Live At Zaal 100
by Mark Corroto
I'm assuming that the Twenty One 4Tet recording Live At Zaal was conceived as a one-off deal, with Portuguese trumpeter Luís Vicente visiting Amsterdam-based players John Dikeman, Wilbert De Joode and Onno Govaert. This concert, from September 2015, finds Vicente combining his impressive craftsmanship with three like-minded players. Then again, it might be just ...
Big Ears Festival 2016
by Mark Sullivan
Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...
Nate Wooley: (Dance to) the Early Music
by Luca Canini
Marzo di due anni fa. Nate Wooley e il suo quintetto sul palco dell'Auditorium di Piazza della Libertà, ospiti (assai graditi) di Bergamo Jazz. Ultimi scampoli di concerto, tempo di bis: Wooley posa la tromba e annuncia: «Prima di salutarvi eseguiremo un paio di composizioni di Wynton Marsalis». Incredulità in sala. «Che ha detto? Marsalis?», chiede ...
Battle Pieces
By Nate Wooley
Label: Relative Pitch Records
Released: 2015
Track listing: Battle Pieces I; Tape deconstruction I; Battle Pieces II; Tape deconstruction II; Battle
Pieces III; Tape deconstruction III; Battle Pieces IV.
Harris Eisenstadt: Canada Day IV
by Vincenzo Roggero
Giunto al quarto capitolo della serie, il quintetto del batterista /compositore Harris Eisenstadt denominato Canada Day si conferma formazione di assoluto valore, forte di un sound personale e ben definito, dotato di grande pulizia e precisione, dalla chiara progettualità. Ci tornano alla memoria certi combo degli anni cinquanta orbitanti nella galassia del cosiddetto “Cool Jazz," da ...
Troy Collins' Best Releases of 2015
by Troy Collins
2015 was an eventful year for jazz and creative improvised music. A decade and a half into the new century found rising young artists revisiting, reevaluating and reinterpreting standards from the jazz canon in surprisingly creative ways. Many of the albums listed below are conceptual efforts dedicated to the advancements of revered masters, ranging from pre-war ...
Ken Vandermark Resonance Ensemble: Double Arc
by Mark Corroto
For the most part, we only follow the trajectory of an artist's career many years after his work has been completed. Looking back at the career of Miles Davis, you can now play connect-the-dots from bebop to Gil Evans to modal jazz to electric Miles. Certainly, back in the day, many a listener knew not where ...
Ingrid Laubrock: Ubatuba
by Karl Ackermann
It's hard to believe that German born saxophonist and composer Ingrid Laubrock has been recording since the late 1990s, perhaps because there is a distinct newness to every project she releases. Although she trained with Jean Toussaint in London for a short time and later with Dave Liebman, Laubrock is very much a self-made artist with ...
Mary Halvorson: Meltframe
by Karl Ackermann
In a quietly forceful way, guitarist Mary Halvorson has cemented her place among the company of modern-day counterparts such as Eivind Aarset, Nels Cline and Terje Rypdal. The Brooklyn based composer/musician has performed with the likes of Anthony Braxton (both sharing credentials at Wesleyan University), cornet player Taylor Ho Bynum and the avant-garde group Trevor Dunn's ...
