Home » Search Center » Results: nate wooley
Results for "nate wooley"
Jon Irabagon: Invisible Horizon
by Troy Dostert
One would imagine that a musician as chameleon-like as saxophonist Jon Irabagon, capable of playing in any genre, in any context, at any time, must have a real challenge finding unexplored territory. Equally adept at mainstream blowing, as on Observer (Concord, 2009), energized free-bop with Barry Altschul's 3dom Factor, the no-holds-barred mania of his assorted outings ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)
by Karl Ackermann
When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...
Nate Wooley/Dave Rempis/Pascal Niggenkemper/Chris Corsano: Strandwal
by John Sharpe
Strandwal constitutes the second release by From Wolves To Whales, the all star unit comprising reedman Dave Rempis, trumpeter Nate Wooley, bassist Pascal Niggenkemper and drummer Chris Corsano. It presents two full sets from a 2017 concert in Haarlem in the Netherlands on a double CD, packed with constant dialogue. This is pretty much state of ...
The Fictive Five: Anything Is Possible
by John Sharpe
Anything Is Possible constitutes the second release from a quintet first convened by San Francisco-based reedman Larry Ochs for his 2013 residency at The Stone in New York. Following that successful summit, and perhaps not unrelated, the pairing of trumpeter Nate Wooley and bassist Pascal Niggenkemper, players as at home in extemporized form as in adventurous ...
From Wolves To Whales: Strandwal
by Mark Corroto
Please excuse the sudden onset of déjà vu as the sophomore release by the quartet From Wolves To Whales spins out two discs of music from a 2017 live recording from The Netherlands, made during a European tour. It's just that the music evokes the images of Ornette Coleman's early-60's quartet. Images, and not necessarily the ...
Paul Plimley, Evan Parker & Denis Fournier
by Maurice Hogue
This show marks the one-year anniversary of publishing One Man's Jazz on All About Jazz's radio section, and we're taking a decided dip into the “deep end" of the improvisation pool. There's lots of avant-garde, experimental, free form, free improv on the bill. Is it “noise," is it the future? That's for the listener to decide, ...
Stephanie Richards: Take the Neon Lights
by Vincenzo Roggero
Sono due gli elementi principali che emergono all'ascolto di Take the Neon Lights : la straordinaria tecnica strumentale di Steph Richards, nella scia di innovatori come Nate Wooley e Peter Evans, ed una scrittura decisamente originale, anomala, anticonvenzionale. Al secondo album da leader, dopo l'eccellente debutto con l'elettronico Fullmoon, Richards scopre definitivamente le carte mettendo in ...
A focus on Nate Wooley
by Bob Osborne
This time around we focus on trumpeter Nate Wooley. This episode also features a couple of tracks from Fabian Arends and a selection of recent releases and archive cuts. Playlist Ryan Keberle & Catharsis “Para Volar" from The Hope I Hold (Greenleaf) 00:00 Jeong Lim Yang “Moon Tethered" from Déjà Vu (Fresh Sound ...
Rob Mazurek: Desert Encrypts Vol. 1
by Karl Ackermann
It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...
