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Cannonball Adderley: Poppin In Paris: Live At L'Olympia 1972

by Mike Jurkovic
In his most natural setting--onstage alongside brother Nat Adderley--and accompanied by pianist George Duke, bassist Walter Booker and the trusty Roy McCurdy on drums, Cannonball Adderley pops and bops to all heart's content on Poppin' In Paris: Live at the Olympia 1972 . Appearing as part of the Paris Jazz Festival, the band holds ...
Albert "Tootie" Heath: Class Personified

by R.J. DeLuke
This article was first published on All About Jazz on March 9, 2015. Albert Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...
Record Store Day 2024 Jazz Releases

by Kyle Simpler
Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...
Jordan VanHemert: Deep in the Soil

by C. Andrew Hovan
Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic ...
Eleven is the Loneliest Number

by Patrick Burnette
Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years. How's that for a mouthful (mindful?) Anyway, good idea until right about now. Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that ...
Late-Period Art Pepper Box Sets

by C. Michael Bailey
In his essay, Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Eleonora Strino: Leading The Way

by Ian Patterson
Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...
Carla Bley Tribute, Bartók Jazz, Hot Sax LPs

by David Brown
This week includes jazz takes on Bela Bartók, a Set of Hot Sax and a look at Philly arranger Lee Lovett. The second half of the show will be dedicated to the compositions of Carla Bley who passed this week. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes ...
MIke Melito: To Swing Is The Thing

by Pierre Giroux
Rochester NY native Mike Melito is an fine drummer who has been active on the jazz scene for many years. His whose drumming style was inspired by Roy McCurdy, who was an integral part of the jazz groups fronted by both Nat Adderley and Julian “Cannonball" Adderley. With a wide-ride cymbal beat and fluid phrasing, Melito's ...
Arve Henriksen: Solidification

by John Kelman
Constellations and the Something of Discovery Music as a chosen profession may suggest occupying the minds of its makers far beyond the 9-to-5 hours of your average job, but for some it goes further still. Transcending mere preoccupation, trumpeter Arve Henriksen seems to eat, drink, sleep and dream music, 24/7, 365 days a year. I was ...