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299

Article: Album Review

Donald Harrison: Free Style

Read "Free Style" reviewed by John Kelman


They say context is everything, and nobody knows that better than alto saxophonist Donald Harrison, who recorded Free Style literally back-to-back with his last Nagel Heyer release, Heroes , featuring bassist Ron Carter and drummer Billy Cobham. While both sessions are trio dates--with the exception of three tracks featuring pianist Glen Patscha--one couldn't find two more ...

304

Article: Album Review

Marc Copland and Greg Osby: Night Call

Read "Night Call" reviewed by Clifford Allen


The duet is a difficult beast; depending on the circumstances and the players involved, it can be a powerful display of improvisational ability or a lesser statement. With Night Call, a somewhat low-key but still fairly free-wheeling set of duets, pianist Marc Copland and alto saxophonist Greg Osby have created a rather personal document. Copland began ...

204

Article: Album Review

Donald Harrison: Heroes

Read "Heroes" reviewed by Jeff Stockton


Ron Carter, one of altoist Donald Harrison's heroes and the primary bassist on this recording, makes the point that Harrison comes from New Orleans, but doesn't insist that he does. Harrison approaches his tradition with a pure heart, and from his apprenticeship with Art Blakey and the Jazz Messengers in the mid '80s through his own ...

648

Article: Record Label Profile

Nagel Heyer Records

Read "Nagel Heyer Records" reviewed by Elliott Simon


The 26th of August marked twelve years since the Nagel Heyers: Frank, Sabine and Hans, celebrated George Gershwin's birthday. They did so with a concert that featured improvisational interpretations of some of “Mr. Music's" most famous tunes. The keepsake recording of that event, with trombonist George Masso, clarinetist Ken Peplowski, tenor man Danny Moss and trumpeter ...

188

Article: Album Review

Benny Lackner Trio: Not the Same

Read "Not the Same" reviewed by John Kelman


Pianist Benny Lackner has made some waves in the past couple of years for his work in the genre-bending pop/jazz group Maroon, but it is with Not the Same that he finally gets the chance to step out and prove his mettle in the piano trio format. The piano trio has received some invigorating new blood ...

292

Article: Album Review

Wayne Escoffery: Intuition

Read "Intuition" reviewed by Elliott Simon


I was all prepared to dislike Intuition , the new CD from tenor man Wayne Escoffery. I do admit though that it was my own prejudices coming out. I have a problem with 29-year-old, hazel-eyed, 200-pound, 6 foot 4 sax players with 34-inch waists. I mean someone who looks like they should be posing for the ...

111

Article: Album Review

Martin Sasse Trio featuring Vincent Herring: Close Encounter

Read "Close Encounter" reviewed by John Kelman


The wonderful thing about jazz is how over the years it has come to transcend borders both real and virtual. While some like to think of it as an American tradition, and without question it had its start on this side of the pond, the truth is there are no longer any boundaries. Musicians from as ...

425

Article: Album Review

Marc Copland with Greg Osby: Night Call

Read "Night Call" reviewed by John Kelman


A month doesn't go by without a new record from pianist Marc Copland; at least it feels that way. And that's not a bad thing. Copland, by operating within the independent label arena and with a variety of companies, has managed to buck the normal trend that says an artist can't put out more than one ...

305

Article: Album Review

Paradigm Shift: Shifting Times

Read "Shifting Times" reviewed by Jason Crane


Unless you're from Rochester, NY, you've probably never heard of Paradigm Shift. With its first national release, Shifting Times , the organ-guitar-drums trio is ready to introduce the rest of the country to its upbeat brand of mainstream soul jazz. Paradigm Shift's core is guitarist Melvin Henderson and organist Gerry Youngman. Both men have ...

152

Article: Album Review

Marc Copland: Night Call

Read "Night Call" reviewed by Dr. Judith Schlesinger


Although the piano is my favorite instrument, it can be tricky for me to identify who's playing it. For most pianists, it may take several choruses before I can pinpoint their style or sound; it often comes down to a choice among several similar players. (Reading all those blindfold tests where even The Stars hem and ...


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