Results for "Multi-instrumentalist"

Sabir Mateen

Born: April 16, 1951

Sabir Mateen - Alto & Tenor Saxophones, Flute, Piccolo, Bb & Alto Clarinets Composer, Arranger, Conductor, Poet The name Sabir Mateen has been one to deal with and listen to. Originally from Philadelphia (b. April 16th 1951), he moved to Los Angeles and played with Horace Tapscott and his Pan- Afrikan Peoples Arkestra and other bands. He moved back to Philadelphia in the '80's and played with two musicians he still collaborates with today, Sunny Murray and Raymond A. King, and also with Monette Sudler, Bill Lewis and many others. He also pursued studies with Byard Lancaster. Having moved to New York in 1989, Sabir became a world renowned artist and has performed with the greats such as Cecil Taylor, William Parker Ensembles (Little Huey Creative Music Orchestra & The Inside Songs Of Curtis Mayfield), Alan Silva, Wilber Morris, Jemeel Moondoc, Charles Downs (Rashid Bakr), Marc Edwards, Mark Whitecage, Raphe Malik, Dave Burrell, Butch Morris, Henry Grimes, Kali Z

Paolo Lazazzara

Born: July 22, 1956

Born in 1956, start playng percussion and flutes in '73, some very important encounters (Don Cherry, Collin Walcott, Nana Vasconcelos, pandit Pran Nath)made me grow up musically. Years of travels in Europe, Africa, Central America and Middle East made me meet incredible masters and find amazing instruments. Collaboration and interaction with them are the basis of my music.

Zeki Caglar Namli

Born: January 17, 1981

ZEKI CAGLAR NAMLI Born in Trabzon in the year of 1981. He got acquainted with music by starting to play Bağlama (Three double stringed Turkish instrumet) during his tender ages. His student years started in State Conservatory in the year of 1998. Again, during these years, he formed his unique way of playing with his Bağlama consisting of silver threaded strings. He composed many instrumental compositions with his own developed unique playing technique. In the year of 2002, he invented the first natural stereo instrument of the world and he named this instrument as ‘’Double Boxed Bağlama’’

Max Vasquez

Born: October 1, 1963

An Award Winning Composer(Los Angeles Music Awards Best Jazz Album and Best Lounge Artist 2006), since 1978, Max embraces all styles of music with a keen instinct for the nuances of each genre he excels in. At the age of nine, he performed with choirs, in musicals and plays, taught himself how to read and write music by the time he was 13, and by age 14 he worked professionally playing trumpet in horn sections of bands all over L.A. and bass with members of punk band Verbal Abuse, which was a favorite of Rodney Bingenheimer. He also played with Black Flag members Sam and Henry and met and hung out with The Doors Ray Manzarek and John Doe of X and many others at the Whiskey Agogo

MuthaWit

{{m: MUTHAWIT = 19873}} featuring BOSTON FIELDER There's a difference between being immersed in music and getting lost in it. If the former is protective and predictable, the latter revels in chance and the unexpected. MuthaWit? Definitely the latter. MuthaWit is a furiously evolving multi-cultural outfit whose musical performances marry a soulful rock dynamic with free jazz experimentation, classical sensitivity and avant-garde electronics/visuals. Established in by award-winning nomadic composer, designer, filmmaker and URB ALT founder Boston Fielder, members of MuthaWit's 5-24 piece orchestra have worked with Parliament/Funkadelic, Sting, TV On The Radio, Curtis Mayfield, The Family Stand, Olu Dara, Herbie Hancock, Jay Z and Organized Noize among others

Stephan Earl

Born: November 28, 1970

Embodying elements of Jazz, Rock, Down-tempo and New Age, composer / producer Stephan Earl’s music flows across stylistic boundaries yet is focused on the principals of melody, harmony and rhythm. Enchanting and thought-provoking, Stephan composes music that is harmonically interesting and complex, yet accessible to the average listener. His music is the perfect fit for a “Nu-Jazz” world, something Stephan eagerly embraces. “There are so many styles of music that I enjoy,” said Stephan. “Yet I wanted to create a body of work focused around Jazz with ambient textures that capture your imagination and melodies that touch your soul.” Stephan Earl’s debut album Origins released November 2009 aims to accomplish just that

Lajos Ishibashi-Brons

Born: September 12, 1972

Lajos Ishibashi-Brons was born in the Netherlands in the early 1970s, but moved to Tokyo, Japan in 2008. He has been making music since the 1980s, but rarely professionally. Most of his projects mix(ed) influences from jazz, noise, drone, traditional Asian music, and various other genres. His current main project is |˟˟| (pronounce 'gate'), originally an experiment in solo improvisation on multiple instruments simultaneously, but since late 2009 a duo with a wood wind player as the second member.

Yola Wesolowska

Born: February 23, 1958

YOLA WESOLOWSKA - composer, singer, pianist, performer . She studied music at the University of Lodz, from which she graduated in 1980. Master's thesis written under the guidance of the great Polish music theorist Prof. Franciszek Wesolowski. She studied composition with prof. Bernard Pietrzak and classical singing with prof. Izabela Kobus. She completed postgraduate studies at the Academy of Music in Wrocław. Participation in competitions, festivals and concerts in Poland and abroad incl. Jazztoldtales Festival in Bologna, B. Okudzhava Festival in Moscow, Weimarrer Dreieck in Germany to name a few. As a composer collaborates with theatres incl

The Music Upstairs Project

Born: February 10, 1975

Feast your eyes on that spin doctor's mixtape. The Music Upstairs Project is the brainchild of producer and recording artist Cameron Turner. A well-traveled, self-produced multi-instrumentalist, he combines his knowledge of modern recording software and groove-based programs with his 60's and 70's-era psychedelic fusion influences. Cameron Turner - guitars, basses, keys, drum and synth programming / production

Jets Overhead

Born: December 20, 1999

Our band lives on a massive island that is pigment green with sharp grey mountains moving slowly and peninsula fingers stretching out and snagging the sea. The people in the band are all different heights and all have very different tastes in music and very different ways of expressing emotion or thinking about art. We started making noises in a concrete basement on the wrong side of the railroad tracks in Victoria, Canada six years ago, and we had a lot of conversations with each other through many songs. Some of these conversations were long and sad and unsure of what they were about. Some of them were many voices talking at once but understanding each other perfectly and saying the same thing in different, unconscious ways; and after this type of conversation we would quietly get into our cars and drive back across the tracks and feel a beautiful buzzing in our heads. We took a bunch of songs and recorded them in 2006 with Neil Osborne