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Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1

by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
Bruno Raberg: Tailwind

by Gareth Thompson
In a 2005 interview, double bassist Bruno Råberg discussed how Scandinavian music reflects the country's vast mountains and forests. You can see very far and that calmness and meditative spirituality comes through," he says. Born in Sweden, but a longtime resident of Boston, you sense Råberg still carries his homeland close to the heart.
Val Wilmer: Dues And Testimony

by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...
Dot Time Legends Series: Is Every Night New Year's Eve Around Here?

by Richard J Salvucci
Soon after The Embers opened in New York City in late 1951, Joe Bushkin and His Quartet spent 16 memorable weeks there. With Milt Hinton and Jo Jones, Bushkin was joined by Buck Clayton on trumpet. Astoundingly, Art Tatum had a solo piano gig there at the same time. Bushkin and Tatum listened to each other ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department

by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
To Be Continued (Carol Liebowitz, Claire de Brunner, Daniel Carter, and Kevin Norton): Poetry from the Future

by Roger Farbey
This leaderless improvising quartet utilises some unusual instruments on their recording. Bassoon is rarely heard outside of classical music and Claire de Brunner is an excellent exponent of the instrument. She studied jazz improvisation with Lee Konitz. She also studied with pianist Connie Crothers as did Carol Liebowitz, whose restrained yet vital contributions are nearly as ...
Peter Dominguez: Groove Dreams

by Dan Bilawsky
Groove Dreams resonates on a number of levels. In the most obvious sense, it's a testament to the skill, imagination, and resourcefulness of bassist Peter Dominguez, an artist who operates with a profound depth of understanding in both formal and creative realms. But it's also a link to the relationship that Dominguez formed with bass icon ...
Erik Friedlander: A Little Cello?

by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...
Dot Time Records New Release: Joe Bushkin Quartet "Live At The Embers 1952" - Available September 15, 2016

DOT TIME RECORDS ANNOUNCES NEW RELEASE IN LEGENDS SERIES JOE BUSHKIN QUARTET Live at the Embers 1952 Featuring BUCK CLAYTON, MILT HINTON AND JO JONES Dot Time Records announces the third release of its Legends" Series, Live at the Embers 1952- The Joe Bushkin Quartet featuring Buck Clayton, Milt Hinton ...
CT, Zoot And Friends In New Orleans, 1969

As mentioned in Rifftides from time to time, many who attended or played in the original New Orleans Jazz Festival remember it as an example of what a jazz festival can be. The 1968 and 1969 editions of JazzFest were intimate compared with what later became the Jazz And Heritage Festival, a massive Crescent City party ...