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8

Article: Album Review

Tom Nazziola: Reflections On Love

Read "Reflections On Love" reviewed by Neil Duggan

by Neil Duggan

Many albums feature arrangements of standards, so what does it take to stand out from the crowd? Solutions to the problem include choosing the seldom-played lesser-known standards, changing the chords to reharmonize the songs while keeping the melody and changing the instrumentation throughout the album. Tom Nazziola uses all these tools on his album Reflections On ...

2

Article: Radio & Podcasts

Music from Miles Davis, Mahavishnu Orchestra, Weather Report and Stanley Clarke

Read "Music from Miles Davis, Mahavishnu Orchestra, Weather Report and Stanley Clarke" reviewed by Len Davis

by Len Davis

2

Article: Radio & Podcasts

Interview with James Kaplan

Read "Interview with James Kaplan" reviewed by Patrick Burnette

by Patrick Burnette

What's the most famous jazz album in the world? Don't say Duke Ellington Plays Mary Poppins unless you have a really good excuse, like you work for Disney. And please don't name some album by Kenny G even if that's sort of true. No, of course the most famous jazz album is Kind of Blue, and ...

1

Article: Cover Stories

Una gemma Soft Machine per il quarantennale Cuneiform

Read "Una gemma Soft Machine per il quarantennale Cuneiform" reviewed by Mario Calvitti

by Mario Calvitti

Non sono molte le etichette indipendenti che possono permettersi di festeggiare il quarantesimo anniversario dalla loro fondazione; ancora meno quelle che possono parimenti fregiarsi di un catalogo di tutto rispetto, ricco di artisti e opere di livello assoluto. È questo il caso della Cuneiform Records, con sede a Silver Spring nel Maryland fondata nel 1984 da ...

25

Article: Album Review

Wayne Shorter: Celebration Volume 1

Read "Celebration Volume 1" reviewed by Chris May

by Chris May

In 2000, three years short of entering his eighth decade on this planet--a place of origin which at times seemed questionable, though he made less fuss about it than Sun Ra--Wayne Shorter finally did what he had resisted doing throughout his career. He formed his own band, not just for an album project but as an ...

4

Article: Album Review

John Lee: Second Wind

Read "Second Wind" reviewed by Pierre Giroux

by Pierre Giroux

Second Wind, which, as the title indicates, is John Lee's sophomore recording, is a vivid example of the art of the trio featuring the estimable rhythm section Peter Washington on bass and Kenny Washington on drums. It had long been Lee's dream to play with these two legends and the result is a collection of favourites ...

13

Article: Album Review

Peter Brötzmann / Toshinori Kondo / Sabu Toyozumi: Complete Link

Read "Complete Link" reviewed by Mark Corroto

by Mark Corroto

As the liner notes to Complete Link by Yoshiaki Kinno state, “In the 1960s, each of them [saxophonist Peter Brötzmann, trumpeter Toshinori Kondo and drummer Sabu Toyozumi] was inspired by free jazz, practiced it themselves and met each other in the process of overcoming free jazz." That is indeed a bold statement. Did he mean to ...

7

Article: Interview

Calvin Edwards: The Big Bopper Remembered

Read "Calvin Edwards: The Big Bopper Remembered" reviewed by La-Faithia White

by La-Faithia White

Jazz guitarist Calvin Edwards, born in Kings Mountain, North Carolina, spent most of his time in the state of South Carolina surrounded by his family. “My father, Hiawthia Edwards was a pretty famous gospel singer" explains Edwards. At seventeen years of age he started out professionally with his father while playing in his brother's band, The ...

13

Article: Album Review

Ornette Coleman: Free Jazz To Ornette! Revisited

Read "Free Jazz To Ornette! Revisited" reviewed by John Eyles

by John Eyles

For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...

3

Article: Album Review

Lee Underwood: California Sigh

Read "California Sigh" reviewed by Gareth Thompson

by Gareth Thompson

Lee Underwood's late father played trombone in a big band at the University of Colorado. Underwood recalls, “Whenever he thought of those days, my dad would close his eyes, purse his lips, and extend his right hand as if still playing this beloved trombone." Lee himself became a high-school jazz pianist, but caught his break as ...


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