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Matthew Halsall: An Ever Changing View
by Chris May
Based in the northern English city of Manchester, trumpeter Matthew Halsall debuted on record in 2008 with Sending My Love (Gondwana), a stylish take on the meditative end of the spiritual jazz of Alice Coltrane and Pharoah Sanders. Halsall's emergence pre-dated by over half a decade that of the London alternative scene vanguarded by musicians such ...
Wayne Shorter: An Essential Top Ten Albums
by Chris May
At the start of September 2021, trumpeter Terence Blanchard released Absence (Blue Note), dedicated to saxophonist and composer Wayne Shorter, who for health reasons had recently been obliged to retire from performing, at least temporarily. Some people celebrating their eighty-eighth birthday, as Shorter did the previous month, might not welcome being the dedicatee of an album ...
Freddie Hubbard: One Of A Kind
by Richard J Salvucci
It is something of a challenge to review Freddie Hubbard's work from the early 1980s. He had changed direction in the early 1970s with Red Clay (CTI, 1970) moving toward soul-jazz and jazz-rock, although anyone listening to Hubbard's playing would hear his standard vocabulary of licks. Some listeners approved; some listeners did not; and some simply ...
Michael Ragonese: Stracci
by Pierre Giroux
It would probably be a hyperbole to say that young jazz pianists are a dime a dozen." Perhaps it would be more accurate to say that there are some stellar younger jazz pianists working today, such as Emmet Cohen, Kenny Banks Jr., and Paul Cornish, and that if you are going to play in this league, ...
Dave Holland Circa 1976
by R.J. DeLuke
Ah, College. Life, liberty and the pursuit of... well... among other things, the quest for jazz music, trying to expand my horizons regarding an art form that had entered my blood in high school, despite the prevelant sounds of the Beatles, Joe Cocker, Blood Sweat & Tears, Leon Russell, the Allman Brothers and Sly and the ...
Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
Paul Tynan & Aaron Lington: Bicoastal Collective: Chapter Six
by Jack Bowers
In jazz terms, trumpeter Paul Tynan and baritone saxophonist Aaron Lington's Bicoastal Collective is a long-running series, as this marks the sixth recording produced during their sixteen-year partnership. As Chapters One to Five were splendid, it might have been advisable to close the book there. However, Tynan and Lington have chosen to forge ahead, and so ...
Evan Parker / Matthew Wright, Trance Map+ with Peter Evans and Mark Nauseef: Etching the Ether
by Mark Corroto
Humans have seemingly always feared new technologies. We're not even talking about AI and ChatGPT. When the first electric light bulb was invented, folks worried it would end civilization as they knew it. Artificial light certainly changed how late one stayed up at night. On the other hand, it also allowed people to find their keys ...
Dena DeRose: No More Detours Ahead
by Mathew Bahl
A pianist by instinct, a jazz musician by choice and a singer by accident, Dena DeRose has emerged as one of the most captivating and distinctive new voices in mainstream jazz. Anyone who has not heard her music should not be misled by her status as a singer/pianist specializing in the Great American Songbook. DeRose is ...
Bill Evans Trio: At The Village Vanguard 1961 Revisited
by Mark Corroto
Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The Village Vanguard" (Blue Note, 1957). John Coltrane ...





