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Gordon Grdina: Safar-E-Daroon
by Mike Jurkovic
Safar e Daroon germinates from its dark, submerged interiors immediately and immediately brings you into the light. But a light of what? A lover's lamp? A hushed arena? An Australian wildfire? Take your pick and let your mind go. It's all going to happen and does so in spades on oudist Gordon Grdina's second go-round with ...
The Necks: Three
by Mike Jurkovic
With their stubbornly spiky, hold-onto-your-hat mindset firmly rooted, a high fever runs wild on Three, The Necks' twenty-first release in its thirty-three year, unhindered-by-genre career. It starts like most of the trio's existential, kaleidoscopic excursions do: some minimalist point of blurred melodic frenzy is acted upon and the rest becomes an amalgam of theory and system... ...
Enrique Haneine: Unlayered
by Mike Jurkovic
Whether he leads from his drummer's stool or his the piano bench, drummer/composer/multi-instrumentalist Enrique Haneine is a mischievous creator, assembling different blocks to form other different blocks, stacking, unstacking, widening the fall zone with each new release. It's an aesthetic that keeps you jumping hoops but, most importantly, listening hard to the logic employed.
Art Blakey & The Jazz Messengers: Just Coolin'
by Mike Jurkovic
Great moments play all over Just Coolin', the new archival Blue Note Art Blakey release from 1959, recorded at Rudy Van Gelder's studio with Lee Morgan, Bobby Timmons and Jymie Merritt. For a bit of history, let's just point out that Hank Mobley was returning to the tenor chair he held from 1951-56, but which had ...
Wolfgang Muthspiel: Angular Blues
by Mike Jurkovic
So much of Austrian guitarist Wolfgang Muthspiel's music materializes before you like Mr. Spock and company on Star Trek. The music beamed in always airy and on the verge of evaporation. But before it does either manifest or vanish it leads you along a slippery slope, through brave structures where only the guitarist knows where the ...
Andy Milne: The reMission
by Mike Jurkovic
Ever hear a disc and wonder why the deep-seated beauty of some players' music escapes your radar? Juno Award-winning pianist and composer Andy Milne's The reMission, a challenging, tough, terse and ultimately triumphant recording, is one of those. One of those discs that, after several uninterrupted listens, has one digging into the discography scrambling to catch ...
Rachel Therrien: Vena
by Mike Jurkovic
A hot organ intro accompanies the simple, fifty-two second, folk-dance breeze of “Folks Jam" before sweeping you into the grander, ballroom dance that is “V for Vena." It's an alluring intro to trumpeter/flugelhornist Rachel Therrien's fifth album as a leader. You quickly hear the beauty of Therrien's playing: there's no need to nerdily testify ...
Connie Han: Iron Starlet
by Mike Jurkovic
A decisively brazen talent, pianist Connie Han rushes into the fire touched off by her 2018 Mack Avenue debut Crime Zone, bringing more accelerant to bear on Iron Starlet.With an exhilarating control of her skills and vision and an intimate clairvoyance into all that has come before her, Han bids trumpeter Jeremy Pelt the ...
Lakecia Benjamin: Pursuance: The Coltranes
by Mike Jurkovic
Maybe it's the nuances she's picked up sharing stages with Rashied Ali, Stevie Wonder and Alicia Keys, or a deep intuition not only into jazz, but also into James Brown and Sly and the Family Stone. Perhaps it's her Washington Heights sidewalk sense that, no matter the game, you play and play alike. Or that you ...
Nuphar Fey: Serenity Island
by Mike Jurkovic
Something restless and antediluvian holds the heart of Serenity Island, Israeli pianist Nuphar Fey's Hypnote debut. It comes at you like the sea winds which open the exotic chamber jazz muse “Wind of South" then passes over you warmly, with all its ghosts and lost voices as the music moves on. With a stunningly ...
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