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Keith Jarrett: Budapest Concert
by Mike Jurkovic
Burdened as it is by the news that, due to two strokes suffered in 2018, Keith Jarrett's glorious art of live composition is all but over, Budapest Concert has some serious heavy lifting to do. Triumphant and transcendent, it rises to the grand occasion and leaves the listener marveling at how any artist, of any age, ...
The Nels Cline Singers: Share The Wealth
by Mike Jurkovic
A work of pummeling beauty, exhaustion and exhilaration await at the end of genre rogue guitarist Nels Cline's upheaval Share the Wealth, eighty minutes of magical, maniacal, free jam composition that, in perhaps a few more years down the line--if the line makes it past Election Day--we'll argue stands right up there with such and such ...
Trio Grande: Trio Grande
by Mike Jurkovic
It's not easy watching all the divergent and elusive pieces come together on Trio Grande, saxophonist Will Vinson, guitarist Gilad Hekselman and drummer/percussionist Antonio Sánchez's first outing, but then that's not their desire at all. Their work is to challenge the expectations and inclinations that dull and lull us into complacency, into wholly unimaginative realms and ...
Marco Rottoli: New Year's Eve
by Mike Jurkovic
Nothing earth shattering, surely, but a very fine listen nonetheless. New Year's Eve, young Italian bassist and composer Marco Rottoli's debut, serves two truly noteworthy goals: First, as a promising warmup to more adventurous things from the trio itself in the future and, secondly, as a good opening ensemble readying you for the evening's anticipated headliner. ...
Cyrus Nabipoor: Live At The Marigny Opera House
by Mike Jurkovic
Whatever Mother Nature or callous venture bankers do to the battered city of New Orleans, its music keeeps getting passed from legend to legend to legend, to the next wave of youngsters that best exemplifies the historical resiliency of a people and their city. And perhaps one of the busiest and most inventive A-listers on New ...
Steph Richards: Supersense
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
Rachel Musson: I Went This Way
by Mike Jurkovic
Let's agree that, by a consensus of one, Debbie Sanders recital of saxophonist Rachel Musson's thought-through and through-read play-by- metaphoric-play/lecture on improvisation gets annoying as all hell so quickly that one may find oneself searching madly for a bonus instrumental version. But the music on saxophonist Musson's I Went This Way is an ambitious, teasingly ambiguous ...
The Telepathic Band: Telepathic Mysteries, Vol. 1
by Mike Jurkovic
For a quintet grounded in free association, The Telepathic Band sure as hell sound like a disembodied orchestra tuning up to go rogue. Wafting from absolute to adagio a piacere (as they say in Italian or, as we say in our less romantic and crasser Anglo tongue, as they please), the seemingly indefatigable saxophonist Daniel Carter ...
Sanja Markovic: Ascension
by Mike Jurkovic
Enveloped in a dark though illuminating light, Serbia's Sanja Markovic delivers an assertive, immersive debut with Ascension, quickly proving herself an agile, articulate vocalist, multi-instrumentalist (tenor and soprano sax), arranger and composer. In lesser hands, the complement of nineteen musicians she has at her side and ready, and the seven questing, spacious songs of ...
Tobias Grim: Spring 2020
by Mike Jurkovic
Locked down but cool, calm and collected in the midst of global strife, Swedish guitarist Tobias Grim and his equally cool, calm, and collected trio mates, bassist Magnus Bergström and drummer Adam Ross, took a couple of time suspended, life upended days in spring 2020 to jam on few new Grim tunes and some well-known standards ...
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