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Adam Holzman and Brave New World: Iron Curtain
by Mike Jacobs
Keyboardist Adam Holzman may be known more these days for his work with the sometime Porcupine Tree progressive mastermind Steven Wilson but the biggest thing on AH's resume prior to his working with Wilson was his stint as keyman for one Miles Davis. Dropping the needle on Iron Curtain," this all becomes crystal clear as it's ...
Eran Har Even: Rise
by Mike Jacobs
As the title might suggest, the music on guitarist Eran Har Even's album 20/21 sprang from the depths of the pandemic years, when musicians somehow found ways to live and express themselves in the absence of being able to perform live. The opening Rise" as well as others from this album are indelibly marked by the ...
Naughty Professor: Kings
by Mike Jacobs
It seems that over the last few years, the New Orleans-based collective Naughty Professor has built up a reputation that has a lot of musicians ambling on down to the Crescent City to sit in with them. Their one/two punch of an ultra-tight rhythm section coupled with a sharper-than-a-tack horn section makes it easy to understand ...
Darcy James Argue's Secret Society: Missing Parts
by Mike Jacobs
Like a few others (such as Maria Schneider and John Hollenbeck), Darcy James Argue seems bent on expanding the musical envelope of the big band via the instrumentation, repertoire and approach of his Secret Society. Though this piece from their 2013 Brooklyn Babylon project was designed to be heard in tandem with the highly stylized visuals ...
Jon Herington: City Of Lights
by Mike Jacobs
"City of Lights" has a bit of lineage. From Jon Herington's Pulse And Cadence (ESC, 2008)--which itself is a reissue/repackage of his Japan-only debut album The Complete Rhyming Dictionary (Glass House, 1993)--the song was originally titled Paris On Mine" and is a musical retort/homage to the John McLaughlin classic New York On My Mind" [from Electric ...
Wayne Krantz: One Of Two
by Mike Jacobs
While the whole of Wayne Krantz's Signals (Enja, 1990) is a bit too impressive a debut to be called prototypical, the origins for what would become the meat of the guitarist's stylistic identity lie in One Of Two." Along with its companion piece (the cleverly-titled Two Of Two"), this solo performance is arguably the first recorded ...






